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Discover this rich selection of digitized posters and other ephemera on HIV/AIDS from 1981 to the present day. All the items are part of the National Library of Medicine’s Digital Collections.

AIDS Action Committee
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AIDS Action Committee

The AIDS Action Committee (AAC) began in 1983 in the basement of Boston’s Fenway Community Health Center, one of the first clinics in the country to treat people with AIDS. For more than thirty years, AAC has focused on AIDS advocacy, prevention, and support for those living with the disease, even as the kinds of images and words used in public health campaigns have changed over time. Early publicity focused on reaching various populations in Boston and New England to fight potential discrimination against people with AIDS at the same time that AAC worked to share specific strategies for keeping a diverse range of people healthy. By offering clear and concrete advice to people whose behaviors put them at risk of contracting HIV as well as the general public, AAC’s inclusive campaigns helped to prioritize AIDS in local and national conversations. To date, the organization has worked with more than half of the people diagnosed with AIDS in Massachusetts.

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America Responds to AIDS
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America Responds to AIDS

From 1987 to 1996, the Centers for Disease Control and Prevention sponsored America Responds to AIDS, a multipart public awareness campaign that focused on reaching a wide range of audiences variously defined by identity or behavior, from heterosexual single mothers, to teenagers of all races, to young adult African Americans, to people who lived in rural areas. The campaign reached millions, becoming a central prong in the “everyone is at risk” strategy of AIDS prevention. It suggested that the best way to respond to HIV/AIDS was to engage in honest conversations about risk behaviors, including the potential consequences of multiple partners, unprotected sex, intravenous drug use, or any activities that compromised the ability to make a sound, safe judgment. Not all applauded the effort. Some, particularly service providers working with groups with a high incidence of HIV/AIDS, most notably young men who had sex with men and intravenous drug users, saw the campaign as ignoring the particular needs of these communities in favor of supporting low-risk individuals. While these efforts claimed to reach all Americans, the efforts did not provide necessary outreach and education to those who also needed it.

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Condoms as Safer Sex
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Condoms as Safer Sex

In 1985, researchers at the University of California at San Francisco confirmed what many AIDS service providers and people with AIDS already assumed: condoms, when used consistently and correctly, could prevent the spread of HIV/AIDS. This was true with sex between men as well as sex between men and women. These findings, with support from the Office of the Surgeon General of the United States pushed public health departments across the country to create social marketing campaigns to encourage condom use. Some campaigns were graphically subdued, using large type and funny copy to entice a largely heterosexual audience without seeming illicit. Alternatively, the Safer Sex Comix published by the Gay Men’s Health Crisis in New York City used humorous, explicit imagery to reach gay audiences by suggesting that condom use could be pleasurable.

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Fear Mongering
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Fear Mongering

As AIDS became a more widespread concern, public health officials and government agencies felt an increasingly urgent need to encourage people to protect themselves and their partners. Many state and local AIDS organizations tried to exert pressure on audiences using fear to prompt behavioral change, particularly among White heterosexuals who did not consider themselves at risk. Designed as an alternative to safer-sex campaigns, which highlighted pleasure and encouraged readers to rethink sexual practices in the age of AIDS, these advertisements shared a common visual and verbal language of gruesome death without providing information about how to prevent it. While a few emphasized the necessity of condom use or warned against sharing needles, most simply told readers to “get the facts” without providing substantive information. Often the fear came in an anti-sex form, such as, “Every time you sleep with someone, you’re risking your life.” In all cases, the campaigns harnessed fear to force people to acknowledge AIDS, but often omitted the helpful public health information about strategies citizens could use to protect themselves.

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Fight the Fear
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Fight the Fear

The fear of AIDS and resulting stigma for those facing the disease made getting accurate information to diverse audiences more difficult. Many people were afraid even to ask questions, lest they be marked with the societal shame then associated with AIDS. These posters and booklets, all designed for general audiences by various AIDS service organizations, reflected a variety of strategies to promote the spread of facts about the disease instead of rumors. They reminded people that everyone needed to have accurate information about AIDS and places where that information existed.

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Harm Reduction/Clean Needles
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Harm Reduction/Clean Needles

In the early 1980s, many believed that identity not behavior put people at risk for contracting AIDS. Known collectively as the 4 H’s: homosexuals, hemophiliacs, heroin users (representing all intravenous drug users), and Haitians, the four groups were considered vulnerable and blamed for spreading the disease. Intravenous drug users brought with them an all-too-familiar public health challenge. How do you inform, protect, and support a group that engages in behaviors deemed illegal and potentially considered wrong or sinful?

One answer, as illustrated in these public health campaigns, was harm reduction—the idea that if you could not stop people from using intravenous drugs, you could, at least, get them information about how to protect themselves while doing so. Using blunt, straightforward language, these campaigns spoke to needle users and the people who had sex with them. For general audiences, those who might see the materials in passing, harm-reduction campaigns underscored the idea that disliking or disapproving of a risky behavior was inconsequential: value judgments did nothing to prevent the spread of AIDS.

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HIV Testing
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HIV Testing

Blood tests to detect the presence of HIV (human immunodeficiency virus) first became available in 1985, after scientists and public health officials confirmed that the virus caused AIDS. Testing made it possible to diagnose HIV before symptoms surfaced and quickly became one of the most widely practiced responses to AIDS. While many public health officials and citizens considered testing a way to take control of one’s own health, this sentiment was not always widely held.

Until 1987, when the medical establishment introduced AZT (azidothymidine), the first widely available, yet exorbitantly expensive, drug to slow HIV infection, many service providers, particularly ones who worked with communities of gay men, argued against testing. They feared that violations of privacy would outpace positive support and treatment options for people who tested positive. With testing, the prospect of a sudden, painful, seemingly random AIDS-related death was replaced with a similarly terrible future of stigma, isolation, and misdirected hatred resulting from a positive HIV test.

These campaigns encouraged people to overcome their fear of the disease and the stigma it produced by stressing personal and social responsibility as well as the availability of information, support, and, later, treatment if infected with HIV.

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The Minority AIDS Project
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The Minority AIDS Project

In 1985, four years into the national health crisis, African Americans and Latinos accounted for three times as many cases of AIDS as whites. To address the growing disparate epidemic and counter the myth that AIDS was a “gay white disease,” Archbishop Carl Bean and members of the Unity Fellowship Church founded the Minority AIDS Project (MAP) to support communities in southern Los Angeles. Their bold, bilingual campaigns stressed AIDS as a very serious, rapidly growing problem in communities of color and provided information on prevention and care for those with AIDS. MAP, working along side two other community-based organizations—Blacks Educating Blacks About Sexual Health Issues (BEBASHI) and Black and White Men Together—became examples for future organizations focused on assisting African Americans and Latinos affected by HIV/AIDS.

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Native Peoples Respond to HIV/AIDS
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Native Peoples Respond to HIV/AIDS

Native peoples continue to be particularly vulnerable to the AIDS crisis due to several factors, including a lack of funding for culturally relevant information, myths and misperceptions about the disease and its causes, and community stigma. Native peoples represent a small percentage of both the United States population and the total number of reported cases of HIV/AIDS, but as a group, they have the third highest rate of diagnosis after African Americans and Latinos. The responses to this disparity have varied.

Since 1987, the National Native American AIDS Prevention Center (NNAAPC) has offered programs and outreach to Native communities. The NNAAPC’s Social Marketing Clearinghouse includes a variety of educational resources, including posters, which have been tailored to individual Native nations in many parts of the country. Many of the posters displayed here reflect the work of tribal governments and local community organizations as they strive to educate their citizens and non-Native neighbors about AIDS. Although not originally focused on HIV/AIDS prevention or awareness, staff at health clinics and support organizations frequently counseled individuals on pursuing safer, healthier behaviors and, in the process, became key participants in fighting the epidemic in Indian Country. The images here reflect an array of culturally— and oftentimes tribally-specific messages aimed at a broad, new audience that required help and information.

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Please Be Safe” by the Northwest AIDS Foundation
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Please Be Safe” by the Northwest AIDS Foundation

In 1987, with funding from the U.S. Conference of Mayors, the Seattle-based Northwest AIDS Foundation launched the “Please Be Safe” campaign to help gay and bisexual men reimagine their sexual behaviors. Using a different creative visual strategy than the sexually charged imagery of some contemporaneous public health efforts, this campaign used road signs—a straightforward, familiar set of symbols—to discuss and advertise sexual safety. The “Please be Safe” or “Rules of the Road” campaign used road signs and compelling, straightforward, community-specific language to help gay men engage in safer sex. The campaign sought to establish these practices as the new norm for all. The “Sexual Safety Card” featured on many of the posters provided quick and accessible information on activities at every level of safety.

The Northwest AIDS Foundation, in addition to producing public health posters, hosted open discussions of risk, testing processes, sexual health, and provided support for people with AIDS and their loved ones. In 2001, the organization merged with the Chicken Soup Brigade to form the Lifelong AIDS Alliance.

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Postcard Politics
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Postcard Politics

By the mid-1980s, as the AIDS epidemic became a full-on crisis, AIDS activists turned to art and graphic design to illustrate and punctuate their responses to the disease and the resulting social crises. Emerging out of ACT UP’s (AIDS Coalition to Unleash Power) Gran Fury, a collective of artists who used their talents to fight AIDS, artistic activism insisted that visual culture had tremendous power to affect behavioral and political change. Gran Fury plastered urban neighborhoods with posters featuring arresting and provocative images that forced some to confront their homophobia and others to reimagine what they could do to fight AIDS.

In addition to creating posters, artists reproduced those images as postcards. These small, portable, inexpensive items were visual reminders of how big the AIDS crisis had become. Displayed for the taking at bars, restaurants, neighborhood shops, and community centers, these postcards allowed activists, including those who never joined Gran Fury, to reach an even wider audience.

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South Carolina AIDS Education Network (SCAEN)
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South Carolina AIDS Education Network (SCAEN)

In 1986, DiAna DiAna, an African American hairdresser with a small salon in Columbia, South Carolina, felt compelled to take action when a local newspaper refused to run an advertisement for condoms. DiAna, who had no formal training in public health, began to use her shop as a space to engage customers, mostly African American women, in conversations about why they should care about and practice safer sex. She designed a distribution system to provide free protection—a basket full of gift-wrapped condoms available free to any of the shop’s customers who wanted them. While the artist who drew the posters displayed is unknown, the style typified DiAna's approach to AIDS prevention. DiAna firmly believed in the empowerment of community members so that they saw the epidemic as a problem they could take action.

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U.S Conference of Mayors and Municipal AIDS Projects
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U.S Conference of Mayors and Municipal AIDS Projects

The U.S. Conference of Mayors established an AIDS project in 1984 at the urging of then mayor of San Francisco Dianne Feinstein, the municipal leader of one of the cities most seriously affected by AIDS. From her position at the helm of the city where gays, lesbians, and people with AIDS developed models of care, treatment, and prevention, Feinstein persuaded her fellow mayors to extend San Francisco—style efforts to cities nationwide. This brought much-needed information and support to areas not thought of as gay centers, but nonetheless had growing local AIDS epidemics. Local AIDS projects, including those in Milwaukee and Denver, used the San Francisco model of combining calls for prevention and care to focus on the needs of different populations within their cities and present explicit information about safer sex and intravenous drug use. This was particularly essential after 1987, when the United States government ceased providing federal funding to campaigns deemed supportive of homosexuality and drug use.

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The Whitman Walker Clinic
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The Whitman Walker Clinic

Working in gay communities almost a decade before AIDS appeared in the United States, the Whitman-Walker Clinic was at the frontline of AIDS service prevention in the nation’s capital. Established as part of the Washington Free Clinic and originally named the Gay Men’s VD Clinic, it opened in a church basement in 1973 to provide gay men with unbiased sexual health care. The founders renamed it in 1978 in honor of two people who defied gender and sexual norms of the nineteenth century: Walt Whitman, the famous American poet, who made his life with men, and Dr. Mary Edwards Walker, a feminist activist and medical doctor, who dressed exclusively in men’s clothes and was the only woman to receive the Medal of Honor for her service as a surgeon during the Civil War.

As early as 1983, the clinic staffed the first AIDS hotline in the city, and within two years, it opened multiple homes for people with AIDS who sought refuge and care from the larger gay and lesbian community. In addition to providing much-needed care for people with AIDS and access to treatment, Whitman-Walker was at the forefront of designing and distributing safer-sex materials that targeted a range of audiences. Even as the clinic created campaigns to help all kinds of people, it never forgot to attend specifically to the needs of men who had sex with men.

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You Can’t Get AIDS From…
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You Can’t Get AIDS From…

Since the first announcements about AIDS appeared in the early 1980s, myths have persisted alongside the epidemic, and rumors have accompanied emerging scientific ideas about the disease. First was the powerful stigma attached to the 4 H’s—homosexuals, Haitians, hemophiliacs, and heroin-IV drug users—those initially believed to be at risk for contracting AIDS. Then came unfounded concerns about catching AIDS from drinking fountains, toilet seats, handshakes, and hugs. The campaigns collected here were designed by AIDS service organizations to dispel major myths about who could contract the disease and raise awareness about how it spread. By directly confronting AIDS myths and rumors, these efforts ensured that more people understood that AIDS was not a punishment or a disease that only affected “at-risk” populations: it was something that required everyone to think and respond to in healthful ways.

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214 Images

A group of people protesting hold picket signs

AIDS Causes Blindness, AIDS Action Committee, 1980s

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A group of people protesting hold picket signs
Several advocacy campaigns focused on raising awareness about AIDS for employers and employees. Discrimination against people with AIDS (described here as blindness) was motivated by fear and ignorance. Posters like this addressed both with facts.
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A poster with text only

AIDS: It Ain’t Over Yet, AIDS Action Committee, 1980s

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A poster with text only
This poster called attention to the ongoing work of fighting AIDS with medical research and public health outreach. The City of Boston partnered with the AIDS Action Committee to remind viewers of this key partnership between the activist group (who could share information as community members) and local government (who had the money and authority to help).
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A poster with text only

AIDS!? Any Question Is Important, AIDS Action Committee, 1980s

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A poster with text only
Sometimes, the first attack on ignorance is to ask a question. AIDS raised a lot of questions, but many people were too afraid to voice them for fear of the social stigma attached to the risk behaviors first associated with AIDS. Because of this, many public awareness campaigns provided information, but this one encouraged readers to speak up and begin the discussion. With a new disease affecting hundreds of thousands of people every year, there was (and still is) a lot to learn about staying safe, being compassionate, taking action, and making progress. This visually simple advertisement emphasized that any attempt to learn was a step in the right direction.
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A Latino man stands holding a condom

CÓJELO CON CUIDADO

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A Latino man stands holding a condom
This campaign is an example of a productive partnership between the AIDS Action Committee and the Latin American Health Institute. It aimed to reach a wider audience by providing materials in English and Spanish and stressing practical advice on having safer sex. Readers received instructions on how to “proceed with caution” along with straightforward advice on choosing a condom that would provide protection.
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A traditional-looking painting of a white father talking to his white son

Don’t Forget the Chapter on AIDS, AIDS Action Committee, 1980s

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A traditional-looking painting of a white father talking to his white son
Using an iconic illustration by American artist Norman Rockwell, this poster stressed a reality of 1980s America: talking about sex meant talking about AIDS. The AAC hoped the image would make the conversation, and all of its potential awkwardness, feel familiar, normal, and necessary for white heterosexual parents.
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A poster with text only

Get the Answers, Ask About AIDS, AIDS Action Committee, 1980s

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A poster with text only
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A portrait of a smiling man

I Believe in My Community, AIDS Action Committee, ca. 2000

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A portrait of a smiling man
AIDS service providers in Boston and San Francisco collaborated on the “I Believe” campaign. Designed by Better World Advertising, an agency that specialized in using positive advertising to change behavior, these posters targeted gay men with messages of care and responsibility for one another. Marlon called on men who have tested positive for HIV to gain strength from one another.
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A portrait of a smiling white man

I Believe in Responsibility, AIDS Action Committee, ca. 2000

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A portrait of a smiling white man
Jeffrey asked other gay men to think about what it means to stay healthy, both physically and spiritually.
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A portrait of a shirtless, smiling white man

I Believe in Sex, AIDS Action Committee, ca. 2000

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A portrait of a shirtless, smiling white man
Jim reminded readers that safe sex is possible and pleasurable.
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A portrait of a man crouching

I Believe in the Future, AIDS Action Committee, ca. 2000

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A portrait of a man crouching
Ray defined protection as keeping himself and his partners safe.
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Poster with yellow and white lettering. The main image features an empty shot glass in which an unopened condom is placed. Text appears below image

Plan Ahead When Mixing Alcohol and Sex, AIDS Action Committee of Massachusetts, 1995

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Poster with yellow and white lettering. The main image features an empty shot glass in which an unopened condom is placed. Text appears below image
Instead of counseling readers against certain types of behaviors, advertisements like this one presented a frank, practical approach toward some of the ways people actually engaged in sex. The honesty here made some people uncomfortable; note the “please do not remove” request at the bottom of the poster.
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A poster with text only

SIDA

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A poster with text only
Multilingual campaigns helped spread information about HIV/AIDS. As of 2012, the AIDS Action Committee offered material about HIV/AIDS in seventeen languages.
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A man sits with his arms crossed

Stay Negative, AIDS Action Committee of Massachusetts, 1995

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A man sits with his arms crossed
The person pictured in this ad tries to model alternatives to the excuses men use not to wear condoms when having sex with one another. He announces his HIV-positive status in hopes of helping other men stay HIV-negative. By the mid-1990s, AIDS service providers recognized the need to combine care and treatment for HIV-positive people while also promoting safer sex as a way to prevent the spread of HIV.
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A portrait of a hand reaching

Take Matters Into Your Own Hands, AIDS Action Committee of Massachusetts, 1995

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A portrait of a hand reaching
Playing with the idea of taking matters into your own hands, this poster suggestively informed men to protect themselves—by masturbating. With advertisements like this, the AAC promoted safer sex as erotic and enjoyable in an attempt to make it more popular.
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A woman stands with two boys

A Message to the Third Man in My Life, Centers for Disease Control, 1980s

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A woman stands with two boys
With a clear statement on family priority, this poster employed a first-person voice that explained a mother’s stand on protecting herself and her sons. The first phone number listed a hotline that made information primarily available in Spanish.
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A portrait of an older Latina woman

AIDS Is a Problem for Hispanics, Too, Centers for Disease Control, 1980s

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A portrait of an older Latina woman
AIDS forced many families to have difficult conversations about risk behaviors. Posters like this one attempted to encourage more open discussion to help provide correct information across generations on how to prevent the spread of AIDS.
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A portrait of a white teenaged boy

AIDS is Scary, but a Zit is Real. Right?, Centers for Disease Control, 1980s

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A portrait of a white teenaged boy
The America Responds to AIDS campaign presented a diverse group of people addressing a litany of questions about AIDS. The questions used an unidentified interviewer to present these fictional conversations, all with men in this case, as happening all over America. The posters did not include any actual information on prevention or testing, the campaign encouraged a dialogue about AIDS among peers that diffused some of the shame and anxiety associated with the disease. In this way, the campaign combated AIDS by first addressing the fear. This poster spoke to parents about the challenges of talking to a teenager about AIDS, but stressed that the issue was relevant and important to young Americans.
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A portrait of a white man

Do You Talk About AIDS on the First Date?, Centers for Disease Control, 1980s

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A portrait of a white man
Without specifying the gender of his partner, Phillip offered an example of how to begin a conversation about AIDS with a potential partner.
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A portrait of a white man

Don’t Just Worry About HIV, Do Something About It, Centers for Disease Control, 1980s

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A portrait of a white man
Because many people feared a positive diagnosis, a perceived death sentence, and the all too frequent stigma that often followed, encouraging testing was a vital piece of many campaigns like this one from America Responds to AIDS.
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A portrait of an African American man

Don’t Just Worry About HIV, Do Something About It, Centers for Disease Control, 1980s

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A portrait of an African American man
This close-up of a man’s face encourages action, in the form of getting an HIV test.
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A portrait of an African American man and woman sitting together

Getting High Doesn’t Cause AIDS, It Just Lets It Happen, Centers for Disease Control, 1980s

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A portrait of an African American man and woman sitting together
This poster made a direct connection between intravenous drug use and contracting AIDS, relying on fear to motivate people towards placing a call to a hotline instead of providing prevention strategies.
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A portrait of a white man holding a basketball

Have You Talked to Your Wife About AIDS?, Centers for Disease Control, 1980s

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A portrait of a white man holding a basketball
Fear of AIDS ran rampant through the 1980s, which prevented many people from getting accurate, reliable information on transmission, prevention, and testing. Heterosexuals often assumed that they were exempt or not at risk.
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A portrait of a white woman

He Wouldn’t Give Up Shooting Up…So I Gave Him Up, Centers for Disease Control, 1980s

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A portrait of a white woman
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A portrait of a white woman sitting under a hairdryer

Heard Much About AIDS Lately?, Centers for Disease Control, 1980s

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A portrait of a white woman sitting under a hairdryer
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A portrait of a white woman

How About Dinner, a Movie, and a Talk About AIDS?, Centers for Disease Control, 1980s

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A portrait of a white woman
Marie described her shifting attitudes towards her own behaviors, as well as her comfort level bringing up AIDS with potential partners.
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A portrait of a multiracial group of children

How Much Do Your Children Know About AIDS?, Centers for Disease Control, 1980s

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A portrait of a multiracial group of children
Ryan White, a boy with hemophilia who became infected with AIDS, was expelled from school in 1986. After this issue received major media attention, Americans expressed a diverse array of reactions including angry, frightened concerns for the safety of all children against this new disease that seemed to (now) have no limits. Children became a new audience for AIDS education to ensure the spread of actual information instead of fear-motivated myths.
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A portrait of two white men and a white woman

How Would You Deal With It if One of You Got AIDS?, Centers for Disease Control, 1980s

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A portrait of two white men and a white woman
The friends pictured here could not imagine their risk for contracting HIV, perhaps because they were heterosexual, perhaps because they were white. The poster encouraged them to have compassion for each other if any of them became infected.
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A portrait of an African American woman

I Didn’t Know I Had AIDS—Not Until My Baby Was Born with It, Centers for Disease Control, 1980s

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A portrait of an African American woman
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A picture of the naked torso of a person in bed with another person’s arm draped over it

I Love Sex, Centers for Disease Control, 1980s

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A picture of the naked torso of a person in bed with another person’s arm draped over it
The first-person here presents little to no information on preventing AIDS outside of being a monogamous, straight, non-drug user. People in this category could be safely encouraged to enjoy sex without fear.
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A portrait of a white woman

If He Doesn’t Have a Condom, You Just Have to Take a Deep Breath and Tell Him to Go Get One, Centers for Disease Control, 1980s

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A portrait of a white woman
Focused on reaching women, this campaign presented a simple verbal strategy as the key to getting a partner on board with safer sex, alongside an explicit acknowledgement of the potential embarrassment. The well-dressed women pictured here present the issue as a straightforward choice, made by women in control of their sexual lives and the actions of their partners.
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A portrait of an African American woman

If He Doesn’t Have a Condom, You Just Have to Take a Deep Breath and Tell Him to Go Get One, Centers for Disease Control, 1980s

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A portrait of an African American woman
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A portrait of an African American woman and man

If You Cheat on Your Partner, You Could End Up With More than Just a Broken Heart, Centers for Disease Control, 1980s

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A portrait of an African American woman and man
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A picture of a driver’s license with the portrait of a white man on it

If You Get the AIDS Virus Now, You and Your License Could Expire at the Same Time, Centers for Disease Control, 1980s

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A picture of a driver’s license with the portrait of a white man on it
Besides a terrifying headline, this poster communicates little information on how prevention or protection strategies, how to get tested and how to manage a diagnosis.
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A portrait of a woman and two boys

If You Shoot Drugs, Stay Away from Me, Centers for Disease Control, 1980s

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A portrait of a woman and two boys
Aimed at a variety of audiences, these posters attempted to call attention to the inherent risk posed by drug use even though the copy provided no details about the danger. While one poster targeted men directly and the other used women as a way to reach men, each used a similar message and lack of instruction. Aimed at mothers, this poster presented a woman with her children offering a stern warning to potential partners not to shoot drugs and they would need to wear a condom. She made the claim that no man was worth her health or the health of her children.
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A poster with text only

If You Want Him to Use a Condom, All You Have to Say, Centers for Disease Control, 1980s

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A poster with text only
Employing a common strategy, this poster from American Responds to AIDS offered a simple response to the challenge of getting a partner to use a condom.
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A portrait of an African American woman

If Your Man Is Messing With Drugs…He Could Be Messing With Your Life, Centers for Disease Control, 1980s

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A portrait of an African American woman
Appealing to African American women, this poster reminded them of how their partner could impact the health of both people in the relationship.
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A portrait of an African American man holding a basketball

If You’re Playing with Drugs, You Could Be Playing with Your Life, Centers for Disease Control, 1980s

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A portrait of an African American man holding a basketball
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A portrait of an African American woman with an African American girl and boy

It Might Take More than Motherwit to Tell My Children What to Do About AIDS, Centers for Disease Control, 1980s

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A portrait of an African American woman with an African American girl and boy
Using a colloquial term for the seemingly innate knowledge of parenthood, this poster reminded families, especially mothers, to seek more information on facing the new threat of AIDS.
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A picture of a white woman walking down a dirt path

Most People Think HIV Is Only a Problem in Big Cities. Unfortunately, I Was One of Those People. Krista Blake, HIV positive, Department of Health and Human Services, 1993

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A picture of a white woman walking down a dirt path
Most of the media attention on AIDS focused on people in large cities. This campaign emphasized educating people in smaller towns and cities around the country to reduce stigma for people with AIDS there as well.
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Color photograph of a multiracial group of people looking at the viewer.

Anyone can get AIDS., Philadelphia Department of Public Health, 1980s

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Color photograph of a multiracial group of people looking at the viewer.
AIDS primarily affected gay men and intravenous drug users in the early years, but quickly expanded its reach as the 1980s wore on. This simple poster from the Philadelphia Department of Health included a purposefully diverse mix of ages, races, and genders in an effort to get more people to see themselves in the new expanding and inclusive at-risk population.
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Color photograph of a line of syringes with a condom on the far right.

If You Won’t Kick An Old Habit, Start A New One, AIDS Administration Maryland Department of Health and Mental Hygiene, 1988

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Color photograph of a line of syringes with a condom on the far right.
Risky behaviors could be made safer; sex with a condom or injecting with a clean needle both minimized the likelihood that a person with AIDS would pass it on to a partner. This poster offers both solutions, as well as appealing to the reader’s sense of responsibility to protect others by making choices to stay safe.
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White text that mimics chalk on a blackboard over a photograph of a condom. Famous last words is in red.

“OK, but next time you have to wear one,” famous last words, People of Color Against AIDS, 1980s

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White text that mimics chalk on a blackboard over a photograph of a condom. “Famous last words” is in red.
Created in the late 1980s by People of Color Against AIDS, a Seattle-based AIDS service, “OK, But Next Time…” tried to convince women of color to negotiate condom use with their male partners. The organization recognized that it needed to engage both men and women of all sexual orientations to effectively change people’s sexual behaviors in ways that would lessen the likelihood of contracting HIV.
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Black and white photograph of an African American woman sitting down and looking at the viewer.

Love as if your life depended on it, it does, insist on condoms, New Haven Women’s AIDS Coalition of the Mayor’s Task Force on AIDS, 1988

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Black and white photograph of an African American woman sitting down and looking at the viewer.
Local efforts, like this poster from the mayor’s office in New Haven, Connecticut, allowed communities to provide specific messages based on the needs of their audiences. This more focused campaign to reach women, who frequently did not consider themselves at risk in the 1980s. This poster spoke to the importance of condoms as part of sex and love, firmly reminding women of their right and responsibility to protect themselves.
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Color photograph of three condoms one red, another yellow, and the right one is green, above text.

Smart sportswear for the active man, Health Education Resource Organization, 1986

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Color photograph of three condoms one red, another yellow, and the right one is green, above text.
To more effectively reach an audience having sex, safer-sex campaigns needed to overcome the image of condoms as unsexy. Here, the Health Education Resource Organization slyly presented the condom as a smart fashion accessory for smart, trendy men.
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Group of five men, three African Americans and two whites, all looking at the viewer, with two condoms on the right.

Get into latex, Midwest AIDS Prevention Project, 1980s

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Group of five men, three African Americans and two whites, all looking at the viewer, with two condoms on the right.
With a wry poke, this poster from the Midwest AIDS Protection Project not only recommended condoms but offered specific information on how to choose the best one.
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Black and white photograph of two condoms in a spotlight.

Only a Fool Fools Around, Connecticut State Department of Health Services, 1980s

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Black and white photograph of two condoms in a spotlight.
Some public health campaigns stressed abstinence as the only option for people to protect themselves against AIDS, which alienated and ignored those who chose otherwise. This poster presented a more realistic choice: safer sex with condoms.
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Color photograph a condom dispenser

Invest in life insurance., Howard Brown Memorial Clinic, 1980s

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Color photograph a condom dispenser
By the time AIDS became a concern, Chicago’s Howard Brown Health Center had been focused on medical outreach and support for the local gay community for several years. Illustrated here, the center’s straightforward approach stressed condoms as a simple, accessible, even cost-effective protection against AIDS.
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Blue background with black text, “Don’t die of embarrassment” is much larger than rest of text

Don’t die of embarrassment, New York City Department of Health, ca. 1980s

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Blue background with black text, “Don’t die of embarrassment” is much larger than rest of text
Discussing condoms meant talking about sex and which could cause shame, anxiety, or embarrassment for some. This poster encouraged anyone having sex with men to have those conversations with their partner(s), regardless of the potential for awkwardness.
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Black and white photograph showing the back of a young man walking in the rain holding an umbrella with white text below

Don’t forget your rubbers, Vermont State Department of Health - Division of Epidemiology, 1987

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Black and white photograph showing the back of a young man walking in the rain holding an umbrella with white text below
What’s the best way to get the word out about condoms without saying “condoms”? By using slang. While an open reference to safe sex and its methods might have offended more conservative viewers, this poster from the State Health Department of Vermont used an informal term to reach those savvy enough to be in on the message.
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Color photograph of an African American woman leaning her head into the shoulder of an African American man.

How to keep from getting lovesick, AIDS Administration Maryland Department of Health and Mental Hygiene, 1988

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Color photograph of an African American woman leaning her head into the shoulder of an African American man.
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White lettering on a black background over a condom. “Famous last words” is in red.

I don’t need to wear one of those, famous last words, People of Color Against AIDS, ca. 1980s

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White lettering on a black background over a condom. “Famous last words” is in red.
Created in the late 1980s by People of Color Against AIDS, a Seattle-based AIDS service organization, “I don’t Need to Wear One…” asked men of color to protect their partners by wearing a condom. The organization recognized that it needed to engage both men and women of all sexual orientations to effectively change people’s sexual behaviors in ways that would lessen the likelihood of contracting HIV.
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Color photograph of 5 condoms underneath text, on a pink-purple background

In 1984, we discovered the AIDS virus. In 1850, we discovered a way to stop it, AIDS Administration Maryland Department of Health and Mental Hygiene, 1988

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Color photograph of 5 condoms underneath text, on a pink-purple background
The fear of AIDS spread faster than the disease itself, even as testing, treatment, and information about prevention improved. This poster presented condoms as an important and long-used strategy for protection. By drawing a historical connection, it aimed to bring hope and reassurance to readers that they could protect themselves.
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Black text on a white background

Perform a death-defying act, Oregon Health Division, 1987

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Black text on a white background
This huge headline communicated a simple solution. By depicting condoms as a common, easy-to-use solution, this poster from the Cascade AIDS Project in Portland made protection approachable.
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Black and white drawing of a man sleeping on a bed, with another man in a cape and crown gesturing towards him

Safer Sex Comix #8, Gay Men’s Health Crisis, 1987

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Black and white drawing of a man sleeping on a bed, with another man in a cape and crown gesturing towards him
By the late 1980s, AIDS service organizations such as New York’s Gay Men’s Health Crisis (GMHC) began to develop explicit materials to engage men who had sex with men in a process of changing the way they had sex with one another. This type of AIDS prevention aimed to capture the imaginations of gay men to sustain their condom use over a lifetime, a strategy supported by significant public health research suggesting that behavior change required positive reinforcement. In a series of almost a dozen (pocket size) three by five inch comic books, GMHC presented sexually erotic, detailed suggestions for men, including how and when to use condoms, whether with long-term partners or short-term dalliances. GMHC distributed the comics to clients, as well as in public spaces, such as bars and community venues. The erotic content of the comic books caused a furor among some elected members of Congress. In October 1987, Senator Jesse Helms (R-NC ) held up Safer Sex comic books while addressing his colleagues on the Senate floor to protest the use of federal funds to promote homosexuality. While federal funding was not used to produce or distribute the comics, the senator’s sentiment led directly to the passing of legislation that insisted, “Education, information, and prevention activities and materials paid for with funds appropriated under this Act shall emphasize—(1) abstinence from homosexual sexual activities.”
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Black and white drawing of a white man and woman naked in bed kissing, both have thought bubbles over their heads

You can’t live on hope, New York City Department of Health, ca. 1980s

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Black and white drawing of a white man and woman naked in bed kissing, both have thought bubbles over their heads
Outreach campaigns frequently used comics to depict a wide variety of situations involving AIDS, often employing humor to communicate important information about prevention, testing, and treatment. This poster employed thought bubbles to contest an all-too-common myth that AIDS did not affect the straight community and reinforce the importance of testing.
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Color drawing of columns of condoms with various names for condoms written on each one

Whatever you call it, use it, or call it a night!, S.N., ca. 1980s-1990s

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Color drawing of columns of condoms with various names for condoms written on each one
With its variety of terms from the 1980s vernacular, this poster poked fun at the words people used to refer to condoms—including the awkward, unspecific, yet often used “thing.” In doing so, it lightened the new gravity of safer sex.
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Black and white photograph of a White mother and daughter sitting down and holding hands and looking at the viewer

When you teach her the facts of life, remember the most important one today—condoms make sex safer, New Haven Women’s AIDS Coalition of the Mayor’s Task Force on AIDS, 1988

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Black and white photograph of a White mother and daughter sitting down and holding hands and looking at the viewer
Local efforts, like this pair of posters from the mayor’s office in New Haven, Connecticut, allowed communities to provide specific messages based on the needs of their audiences. This more focused campaign to reach women, who frequently did not consider themselves at risk in the 1980s. By appealing to maternal instinct, this campaign urged mothers to support two generations of informed, educated women by discussing condoms and safer sex with their daughters.
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Color photograph of two White men. Man in front is looking towards viewer, while man behind is taking off shirt and looking off to the right.

You won’t believe what we like to wear in bed, Health Education Resource Organization, 1986

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Color photograph of two White men. Man in front is looking towards viewer, while man behind is taking off shirt and looking off to the right.
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Photograph of a gravestone surrounded by a black border and text above and below.

A bad reputation isn’t all you can get from sleeping around., Dallas County Health Department, 1980s

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Photograph of a gravestone surrounded by a black border and text above and below.
While this poster assumed some people would feel shame after certain sexual behaviors, its threatening language did little to address alternatives beyond abstinence.
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Blue background with white text, except for “AIDS” which is red and has a cut or rip through the bottom quarter of the letters.

AIDS is in town, don’t pass it on, St. Louis Effort for AIDS, 1980s

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Blue background with white text, except for “AIDS” which is red and has a cut or rip through the bottom quarter of the letters.
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African American man and woman, and a Hispanic man and woman, a person in a skeleton costume is in the middle that is resting their arms on them

AIDS Virus. A Deadly Saturday Night Special, California AIDS Clearinghouse, 1989

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African American man and woman, and a Hispanic man and woman, a person in a skeleton costume is in the middle that is resting their arms on them
This poster referenced Saturday Night Special: A Story of Choices, a photonovel produced in 1987 by the California AIDS Clearinghouse to provide information on HIV/AIDS to populations with high rates of illiteracy. The booklet used photographs to educate instead of text. Unlike the photonovel, which stressed practical strategies for protection, this advertisement conflated AIDS with a random specter of death.
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Photograph of a gravestone surrounded by a black border and text above and below.

AIDS, get the facts, Pharmacist Planning Service, 1986

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Photograph of a gravestone surrounded by a black border and text above and below.
The Pharmacists Planning Service (PPS) founded National Condom Week in 1978, three years before AIDS become a major public health concern. Condom Week was an example of a positive strategy used to prevent the spread of sexually transmitted diseases, but this PPS poster from 1986 missed the opportunity to educate, instead using fear of death as their motivating message.
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Purple tinted photograph of a hearse car with a casket hanging out the back.

AIDS. The Ultimate Going Away Present., Dallas County Health Department, 1980s

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Purple tinted photograph of a hearse car with a casket hanging out the back.
Produced by the Dallas County Health Department, this poster prioritized abstinence over safer sex, using fear and certainty of death as the primary motivators for behavior change. The coffin implied that AIDS was a death sentence, silencing positions articulated by people with AIDS that they wanted and needed to be seen as surviving and thriving.
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Black and white photograph of front iron gates with “Cemetery” above gates.

AIDS—Even Its Name is Deceptive, AIDS Resource Center, 1980s

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Black and white photograph of front iron gates with “Cemetery” above gates.
By 1985, medical research had come a long way in identifying how AIDS could be transmitted, detected, managed, and treated. Although the second paragraph notes that AIDS can only be passed through bodily fluids, the opening few sentences harken back to the early days of AIDS as a silent, unidentified, and quickly fatal disease
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Black and white photograph of a white man and woman naked in bed kissing, the man is on top and obscures most of the woman.

Bang, you’re dead!, New York City Department of Health, 1980s

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Black and white photograph of a white man and woman naked in bed kissing, the man is on top and obscures most of the woman.
This campaign from the New York Department of Health stressed a direct connection between sex, AIDS, and death, providing little advice on how to have safer sex, beyond noting condoms as a somewhat successful backup choice to abstinence. With its message of instant death, the language used here also undermined the ongoing efforts of medical researchers to extend the life expectancy of those with HIV/AIDS.
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Blue background with white text, except for “AIDS” which is red and has a cut or rip through the bottom quarter of the letters.

Don’t be a casualty of casual sex, AIDS—why take chances? Protect yourself, Wisconsin Department of Health and Social Services-Division of Health, 1988

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Blue background with white text, except for “AIDS” which is red and has a cut or rip through the bottom quarter of the letters.
In this poster, the Wisconsin Department of Public Health and Services presented an immediate connection between casual sex, AIDS, and death—with no information on prevention strategies in between.
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Black and white photograph of a White woman in a bra in bed looking upwards.

Return to those carefree days when all you had to worry about was getting pregnant, herpes, and a bad reputation, AIDS Atlanta, 1980s

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Black and white photograph of a White woman in a bra in bed looking upwards.
AID Atlanta employed a dangerous tactic in this poster: the copy assumed the reader had the right information to protect herself against infection of AIDS and, in case she didn’t, she would make the extra effort to learn more.
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Black background with large text dominating poster with smaller text underneath.

The more you score, the greater your chances of losing the game., Dallas County Health Department, 1980s

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Black background with large text dominating poster with smaller text underneath.
This poster offered a simple solution for preventing AIDS: Just say no. Advice like this ignored the complexity of human behavior and, as such, missed out on the opportunity to educate people on realistic, alternative strategies.
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Blue background with black text, black and white photograph on bottom left of a white man in coat carrying a paper grocery bag on a street.

The other night Charlie brought home a quart of milk, a loaf of bread and a case of AIDS., New York Department of Health, 1980s

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Blue background with black text, black and white photograph on bottom left of a white man in coat carrying a paper grocery bag on a street.
Produced by the New York City Department of Health, this poster explicitly blamed bisexual men for spreading AIDS to their female partners and children. Instead of suggesting that Charlie be honest with his wife and protect her sexual health, it assumed that all bisexuals were unfaithful and unhealthy.
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Black and white photograph of a smiling White man looking at the viewer, above text.

This man killed seventeen women and loved every minute of it, AID Atlanta, 1980s

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Black and white photograph of a smiling White man looking at the viewer, above text.
AID Atlanta, the largest AIDS service organization in the southeast, used this portrait to depict AIDS as a handsome man who was a silent menace to women. Although the poster provided a phone number for women to call, it neglected to spell out any of the “precautions” they might take to negotiate sexual safety with their “loving” male partners.
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Drawing of three people, one covering ears, another mouth, and another eyes.

http://resource.nlm.nih.gov/101438754

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Drawing of three people, one covering ears, another mouth, and another eyes.
Keith Haring’s colorful, cartoonish, and iconic images brought a memorable aesthetic to several AIDS awareness campaigns. In 1989, after his own diagnosis, he founded the Keith Haring Foundation to make his art available to AIDS organizations, along with grants for research and care for others with HIV/AIDS. His brightly colored, featureless figures reminded viewers that AIDS did not discriminate and that everyone needed to make decisions about their health based on facts instead of fear. The foundation continues to work today in two related areas: support for children with AIDS and HIV/AIDS research, education and care.
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Blue tinted photographs showing four people’s faces above a line of people talking on phones.

You are not alone, fight the fear, Gay Men’s Health Crisis, 1995

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Blue tinted photographs showing four people’s faces above a line of people talking on phones.
In 1982, the Gay Men’s Health Crisis formed in a New York City apartment to advocate for AIDS research as well as provide outreach and education. By stressing community, solidarity, and support, this poster reminded people that everyone was frightened of this new disease and taking action meant being informed.
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Blue background with black text, three squares with diagonal lines surround text at top.

Fight the Fear with Facts, AID Atlanta, 1980s

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Blue background with black text, three squares with diagonal lines surround text at top.
The early years of the AIDS epidemic were marked by steep increases in diagnoses, even as information on transmission, testing, and prevention proliferated. This disconnect persisted, in part, because getting information out to people was a difficult task. It meant prompting people to overcome fear, fight stigma, and make healthy choices. AID Atlanta, formed in 1982 by a group of friends who became concerned enough to take action, began with simple posters that spread information about resources, such as the nationally available AIDS Hotline.
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Black and white photograph with a multiracial group of adults and children holding each other’s hands above their heads.

Fight the fear with the facts, AIDS Project Los Angeles, 1986

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Black and white photograph with a multiracial group of adults and children holding each other’s hands above their heads.
In 1982, before the term AIDS existed, a group of four volunteers in Los Angeles set up an anonymous hotline to share what little information there was about preventing and recognizing the disease. What began with one phone and a single page of facts is now one of the largest AIDS service organizations in the country, offering support and information in more than a dozen languages to anyone seeking help.
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Color photograph of a group of demonstrators, one holding a sign, whose faces are blurred.

Homophobia Kills., Gay Men’s Crisis, 1993

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Color photograph of a group of demonstrators, one holding a sign, whose faces are blurred.
Activist groups emerged as quickly as the AIDS epidemic, helping to combat ignorance, fear, and social stigma, which prevented people from seeing and understanding AIDS as a public heath issue and taking action against it. This poster called for the gay community to mobilize and use the 1993 Gay Pride March to inform and educate fellow New Yorkers about AIDS.
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Black and white photograph of run-down front room of a house with three people huddled together, with a fourth person walking out the front door.

A lot of people are getting stuck with AIDS, AIDS Resource Center, 1980s

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Black and white photograph of run-down front room of a house with three people huddled together, with a fourth person walking out the front door.
This poster attempted to reach not only drug users, but their families and friends as well, in the hopes that by reaching the user’s social network, campaigns like this would be more successful in educating people on the dangers of sharing needles.
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Black and white photograph of a pregnant White woman holding her stomach.

A man who shoots up can be very giving, he can give you and your baby AIDS, National Institute on Drug Abuse, 1980s

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Black and white photograph of a pregnant White woman holding her stomach.
This poster features a pregnant White woman whose male partner uses intravenous drugs. She is regarded as an infector of babies rather than as a person with AIDS deserving care
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Black and white photograph of a pregnant African American woman holding her stomach looking at the viewer.

A man who shoots up can be very giving, he can give you and your baby AIDS, National Institute on Drug Abuse, 1980s

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Black and white photograph of a pregnant African American woman holding her stomach looking at the viewer.
In the early 1990s, the National Institute on Drug Abuse called on women to seek treatment to protect their children, including those yet to be born, from AIDS. This poster features a pregnant African American woman whose male partner uses intravenous drugs. The accompanying text warned, “Babies with AIDS are born to die,” and suggested women get tested for HIV before becoming pregnant and use condoms to protect themselves.
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Black and white photograph of a pregnant woman holding her stomach looking at the viewer.

A man who shoots up can be very giving, he can give you and your baby AIDS, National Institute on Drug Abuse, 1980s

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Black and white photograph of a pregnant woman holding her stomach looking at the viewer.
This campaign pictured women of all races, acknowledging that drug use happened in all communities, and emphasized that women should seek treatment as mothers. This poster features a pregnant Latina whose male partner uses intravenous drugs.
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Drawing of a needle with a red blood spot near the tip, on a black background.

AIDS can blow your high, if you’re not going to stop, at least use clean needles, National Institute on Drug Abuse, 1987

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Drawing of a needle with a red blood spot near the tip, on a black background.
Much of the outreach to drug users focused on getting people to “simply” stop using drugs. This poster from the Health Education Resource Center offered a message that focused on making risky behaviors safer.
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Black and white photograph of a young woman standing against a wall with a young man in front of her, the image is repeated three times.

AIDS. Think About It. First., New York City Department of Health, 1980s

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Black and white photograph of a young woman standing against a wall with a young man in front of her, the image is repeated three times.
The cut-and-paste, zine-style of this poster suggested a youthful audience, while focusing the message on people who either did not have AIDS or had not yet been tested, but could be engaging in risk behaviors.
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Two color drawings, one of a Hispanic couple on a crowded multiracial subway, and the other an African American couple on the same subway car.

Carlos Y Carla: Libro De Illustraciones Sobre El SIDA. Bill and Brenda: AIDS Information Picture Book, New York City Department of Health, 1987

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Two color drawings, one of a Hispanic couple on a crowded multiracial subway, and the other an African American couple on the same subway car.
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Drawing of a vertical needle with purple skull and crossbones where the handle is, on a black background.

Don’t Share Needles, Don’t Get Stuck with AIDS, Michigan Department of Public Health AIDS Prevention Program, 1988

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Drawing of a vertical needle with purple skull and crossbones where the handle is, on a black background.
The grim image here makes a straightforward connection between needle-sharing, AIDS, and death. Campaigns like this one relied on fear as a motivator for people to take steps towards safer practice.
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Color photograph of a syringe.

Don’t Share, San Francisco AIDS Foundation, 1980s-1990s

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Color photograph of a syringe.
Straight and to the point, this poster presents a basic prevention technique aimed at anyone using needles.
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Color photograph of a hand injecting drugs into an arm.

Don’t Share!, Project Safe and Denver AIDS Prevention, 1988

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Color photograph of a hand injecting drugs into an arm.
Sharing needles became widely known as a dangerous practice in public health communities, but with little political will or funding to provide users with clean needles, some organizations chose to stress how to sterilize needles for reuse. This poster communicates a simple and cheap measure that would help prevent the spread of AIDS in intravenous drug user communities.
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Black and white photograph of a baby bottle next to text.

Guess who else can get AIDS if you shoot drugs, your baby can, National Institute on Drug Abuse, 1980s

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Black and white photograph of a baby bottle next to text.
This poster advised pregnant women with a history of drug use and those with partners who used intravenous drugs to get an AIDS test, seek drug treatment, and use condoms.
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White text that mimics chalk on a blackboard over a photograph of a needle. Famous last words is in red.

“Hey man, let me use your works,” famous last words, People of Color Against AIDS, 1980s

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White text that mimics chalk on a blackboard over a photograph of a needle. Famous last words is in red.
By using a conversational and perhaps familiar line, this poster from the People of Color Against AIDS offered an example of a realistic situation that drug users may have experienced, along with a strategy to use if it came up.
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Black silhouette of a man and woman with “Don’t share needles” in red through the middle of the silhouette.

Junkies and speedfreaks of San Francisco, don’t share needles, Haight Ashbury Free Medical Clinic, 1980s

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Black silhouette of a man and woman with “Don’t share needles” in red through the middle of the silhouette.
Drug users faced a powerful stigma as a group that willingly engaged in behavior perceived as dangerous and deadly. In calling these groups by their common insults, “junkies and speedfreaks,” this prevention poster was honest about what kept people healthy. Curbing drug use might have been impossible, but not sharing needles, represented here by the red “I” in AIDS, would have a tremendous harm-reducing effect.
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Black and white photograph of a baby carriage next to it is hospital intravenous drip bag on a pole.

Most babies with AIDS are born to mothers or fathers who have shot drugs, National Institute on Drug Abuse, 1980s

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Black and white photograph of a baby carriage next to it is hospital intravenous drip bag on a pole.
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Red tinted photograph of a hand injecting drugs into an arm.

Share and you are a target for AIDS, Tulsa Area Chapter of the American Red Cross, 1980s

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Red tinted photograph of a hand injecting drugs into an arm.
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Black and white drawing of a smiling man wearing a cape, he has a bleach bottle for a head.

The Adventures of Bleachman, Las Aventuras de Bleachman, San Francisco AIDS Foundation, 1988

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Black and white drawing of a smiling man wearing a cape, he has a bleach bottle for a head.
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Black and white drawing of a dirty city street littered with beer caps, needle, and cigarette butt. Liquid from the syringe reflects a man’s face.

You can get AIDS, bad habits die hard!, National Institute on Drug Abuse, 1988

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Black and white drawing of a dirty city street littered with beer caps, needle, and cigarette butt. Liquid from the syringe reflects a man’s face.
In the early 1980s, intravenous drug users often did not know they were at risk for AIDS. Campaigns like this one, from the Urban League, focused on the basic message that found needles presented a risk, since they often contained small amounts of blood from each previous user.
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Color drawing of a gray bed with “sex” written on it, above a white “rubber” condom. To the right is a syringe pointing down towards AIDS in red letters.

It’s ok to say no, Don’t shoot up, New York City Department of Health, 1987

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Color drawing of a gray bed with “sex” written on it, above a white “rubber” condom. To the right is a syringe pointing down towards AIDS in red letters.
Changing behaviors involved overcoming several obstacles, including peer and partner pressure. Posters such as this one from the New York City Department of Health attempted to reach adolescents with a practical reminder: saying no is one option, but there are others if you choose to say yes.
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Red tinted color photograph of a smiling white woman and man sitting on a couch.

Everyone has a reason to get an HIV test, Westchester County (NY) Department of Health, 1980s-1990s

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Red tinted color photograph of a smiling white woman and man sitting on a couch.
The White heterosexual couple pictured here reminded readers that HIV/AIDS affected all types of partners. Some public health campaigns attempted to appeal to the reader’s sense of love, responsibility, or consideration for others by stressing the benefits of diagnosis for romantic and sexual partners. Targeting heterosexual couples, this campaign, from Westchester County in New York, emphasized that HIV could be spread and contracted by both genders and HIV/AIDS was a concern for all couples, regardless of race.
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African American man and woman smiling at each other.

Everyone has a reason to get an HIV test, Westchester County (NY) Department of Health, 2001?

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African American man and woman smiling at each other.
This campaign broadened its audience to reach White and African American heterosexual couples and reminding them of their equal risk. Some public health campaigns attempted to appeal to the reader’s sense of love, responsibility, or consideration for others by stressing the benefits of diagnosis for romantic and sexual partners. Targeting heterosexual couples, this campaign, from Westchester County in New York, emphasized that HIV could be spread and contracted by both genders and HIV/AIDS was a concern for all couples, regardless of race.
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African American man sitting at the end of a long park bench, underneath is a small inset of an African American man on a bicycle smiling.

HIV testing scared the hell out of me, I found out knowing is better than not knowing, Burroughs Wellcome, 1990s

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African American man sitting at the end of a long park bench, underneath is a small inset of an African American man on a bicycle smiling.
How do you motivate someone to take a test that might reveal that they have a terminal illness? This campaign addressed the fear directly, stressing the benefits of early diagnosis and support resources available, including the opportunity to receive information anonymously. Testing campaigns gained traction as medical research proved and continues to prove that knowing one’s HIV status early means more successful treatment options that potentially prolong a patient’s life.
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Black and white photograph of an African American woman and young girl looking at the viewer.

I can’t afford to be sick, can you?, AIDS Health Project, 1980s-1990s

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Black and white photograph of an African American woman and young girl looking at the viewer.
While this poster might speak specifically to black mothers, the image reminded all parents of the importance of being tested for the sake of one’s family.
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Black and white photograph of an Asian American man in a leather jacket looking at the viewer.

I can’t afford to be sick, can you?, AIDS Health Project, 1980s-1990s

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Black and white photograph of an Asian American man in a leather jacket looking at the viewer.
In 1998, the Supreme Court ruled that HIV/AIDS fell under the Americans with Disabilities Act (ADA). The decision protected people with AIDS in their workplaces; until then, testing positive for HIV might mean losing one’s job and health insurance. A group of concerned mental health and medical professionals in San Francisco formed the AIDS Health Project (AHP) to support a growing community of people who needed emotional and psychological support as well as medical treatment. The AHP provided crucial, groundbreaking support in getting people tested: the organization offered the first large-scale testing programs along with resources to help people manage either a positive or negative result. This campaign used frank, simply put descriptions of the multiple costs of not knowing one’s HIV status, stressing the financial, personal, and family consequences of remaining ignorant.
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Black and white photograph of an African American man looking at the viewer.

Most men don’t cheat, do you?, AIDS Health Project, 1980s-1990s

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Black and white photograph of an African American man looking at the viewer.
An HIV-positive diagnosis sometimes forced difficult discussions about sexual behaviors, including the new potential consequences of cheating on a partner. Instead of shaming its audience, campaigns like this encouraged people to take precautions to protect themselves, their partners, and their families. A group of concerned mental health and medical professionals in San Francisco formed the AIDS Health Project (AHP) to support a growing community of people who needed emotional and psychological support as well as medical treatment. The AHP provided crucial, groundbreaking support in getting people tested: the organization offered the first large-scale testing programs along with resources to help people manage either a positive or negative result. This campaign used frank, simply put descriptions of the multiple costs of not knowing one’s HIV status, stressing the financial, personal, and family consequences of remaining ignorant.
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Black text on a green background. Two boxes underneath title.

Take this simple AIDS test, New York State and City Departments of Health, 1980s-1990s

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Black text on a green background. Two boxes underneath title.
Testing for HIV became more essential as new treatments became available. Released to the public in 1987, AZT (azidothymidine) was a powerful, new drug that slowed the progression of HIV to AIDS—but it only worked with the benefit of early detection and treatment. Posters, like this one, stressed the importance of getting tested, specifically so that treatments like AZT could be an option.
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Color photograph of a yellow sunflower, with half the petals missing, “I’m positive” and “I’m negative” alternate by each of the remaining petals.

The David Geffen testing center offering a more human approach to HIV testing, David Geffen Center, Undated

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Color photograph of a yellow sunflower, with half the petals missing, “I’m positive” and “I’m negative” alternate by each of the remaining petals.
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Color photograph of a multiracial group of five woman looking at the viewer.  Red ribbon in the top left corner.

To love is to protect, New York State Department of Health, 1980s-1990s

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Color photograph of a multiracial group of five woman looking at the viewer.  Red ribbon in the top left corner.
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Color photograph of a yellow sunflower, with half the petals missing, “I’m positive” and “I’m negative” alternate by each of the remaining petals.

We offer a much more effective method to reduce HIV test anxiety, David Geffen Center, Undated

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Color photograph of a yellow sunflower, with half the petals missing, “I’m positive” and “I’m negative” alternate by each of the remaining petals.
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Black and white photograph of a multiracial group of woman variously dressed and two holding babies, all looking at the viewer.

Which woman should get an HIV test?, Medical Arts and Photography Branch - National Institutes of Health, 1980s-1990s

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Black and white photograph of a multiracial group of woman variously dressed and two holding babies, all looking at the viewer.
Many women did not consider themselves at risk for infection, despite hundreds of posters that aimed specifically to reach the female audience. This was, in part, because most public health initiatives focused on types of people (gay men, hemophiliacs, intravenous drug users) and not behaviors (having unprotected sex, sharing needles). This campaign, designed by the American College of Obstetrics and Gynecology and the American Academy of Pediatrics, targeted pregnant women and women with children in hopes of appealing to them as mothers to get tested.
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Black and white photograph of a toddler looking at the viewer holding a toy.

Who will take care of him?, AIDS Health Project, 1980s-1990s

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Black and white photograph of a toddler looking at the viewer holding a toy.
An early diagnosis often meant a more successful course of treatment, an especially relevant argument for the parents of young children, like this one. A group of concerned mental health and medical professionals in San Francisco formed the AIDS Health Project (AHP) to support a growing community of people who needed emotional and psychological support as well as medical treatment. The AHP provided crucial, groundbreaking support in getting people tested: the organization offered the first large-scale testing programs along with resources to help people manage either a positive or negative result. This campaign used frank, simply put descriptions of the multiple costs of not knowing one’s HIV status, stressing the financial, personal, and family consequences of remaining ignorant.
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Blue tinted photographs showing four people’s faces above a line of people talking on phones.

You are not alone, fight the fear, Gay Men’s Health Crisis, 1995

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Blue tinted photographs showing four people’s faces above a line of people talking on phones.
In 1982, the Gay Men’s Health Crisis formed in a New York City apartment to advocate for AIDS research as well as provide outreach and education. By stressing community, solidarity, and support, this poster reminded people that everyone was frightened of this new disease and taking action meant being informed.
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Three photographs surrounded by text. One is African American man, another is of people playing basketball, last one is white man and woman kissing.

Take the HIV Test. You can live with the results., Michigan Department of Public Health AIDS Prevention, 1980s-1990s

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Three photographs surrounded by text. One is African American man, another is of people playing basketball, last one is white man and woman kissing.
Public health officials faced a serious challenge in prompting people to get tested for HIV: potential social stigma and isolation along with limited medical treatment made facing a terminal diagnosis all the more terrifying. This campaign, from the Michigan Department of Public Health, laid out the benefits of testing by stressing the resources available to help individuals cope with either a positive or negative diagnosis.
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Black and white photograph of a white woman holding a toddler, the toddler is looking at the viewer.

You don’t have to look sick to have AIDS, AIDS Health Project, 1980s-1990s

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Black and white photograph of a white woman holding a toddler, the toddler is looking at the viewer.
Posters like this focused on the benefits of HIV testing for future mothers, who could pass the virus to their newborn babies at birth. Early testing and prenatal care made a difference: when HIV-positive mothers took advantage of the resources available to them, their children were less likely to contract the disease. A group of concerned mental health and medical professionals in San Francisco formed the AIDS Health Project (AHP) to support a growing community of people who needed emotional and psychological support as well as medical treatment. The AHP provided crucial, groundbreaking support in getting people tested: the organization offered the first large-scale testing programs along with resources to help people manage either a positive or negative result. This campaign used frank, simply put descriptions of the multiple costs of not knowing one’s HIV status, stressing the financial, personal, and family consequences of remaining ignorant.
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Black and white photograph of an African American

You don’t have to look sick to have AIDS, AIDS Health Project, 1980s-1990s

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Black and white photograph of an African American
Before a test was available, people with AIDS usually had to manifest symptoms of another infection, such as Kaposi Sarcoma or pneumonia, to learn their status and often died shortly after. HIV tests made it possible to begin treatment far earlier and with better success, but only if people sought testing before symptoms arose.
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A poster with text and a portrait of an African American woman

AIDS Is an Equal Opportunity Disease!!!, Minority AIDS Project, 1986

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A poster with text and a portrait of an African American woman
Strong and straightforward, this MAP (Minority AIDS Project) poster presented the basics of transmission and prevention of AIDS using informal language and a stern tone. The poster also featured an image of a stylish African American woman who might not (but should) consider herself at risk.
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A poster with text and a portrait of an African American woman, man, and child

AIDS Is Killing Blacks Too!, Minority AIDS Project, 1986

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A poster with text and a portrait of an African American woman, man, and child
To combat the myth of AIDS as a “white disease” that mostly affected gay men, this MAP (Minority AIDS Project) poster stressed the disease’s lack of discrimination to a population who may have considered themselves safe from infection
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A poster with text and a portrait of an African American man with two African American girls

He Has AIDS, We Love Him!, Minority AIDS Project, 1989

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A poster with text and a portrait of an African American man with two African American girls
Not unlike the disease itself, people with AIDS faced powerful stigmas that transcended racial boundaries. This poster reminded African American communities that it was and is okay to interact with, hug, and love people with AIDS. Through the voices of children and loving families, the poster helps to erode the myths and fears associated with people with AIDS.
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A poster with text and a portrait of a Latina woman

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A poster with text and a portrait of a Latina woman
Spanish-language posters brought much-needed information to a non-English-speaking population of Americans who were (and continue to be) overrepresented among people with AIDS.
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A poster with text, a portrait of an African American woman and boy, and a portrait of a Latino teenage boy

What You Don’t Know Can Kill You, Minority AIDS Project, 1989

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A poster with text, a portrait of an African American woman and boy, and a portrait of a Latino teenage boy
The statistics here provided compelling evidence of how AIDS affected people of color. From 1989 to 2010, the percentage of AIDS cases among African Americans had nearly doubled, and infections among Latinos had also increased to 20% of the total AIDS cases in America.
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A poster with text, a portrait of a Latina woman and a portrait of a Latino man

¡Usted es el ultimo en saber!, Minority AIDS Project, 1989

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A poster with text, a portrait of a Latina woman and a portrait of a Latino man
By reminding a Spanish-speaking audience “What you don’t know can kill you,” posters like this focused outreach information for Latinos, who were and are disproportionately represented in AIDS cases. This poster used epidemiology and data to get the attention of their audience.
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A poster with text and a silhouette of a man on a horse carrying a spear

AIDS Could Mean the Real End of the Trail!, South Dakota Division of Education, 1990

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A poster with text and a silhouette of a man on a horse carrying a spear
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A poster with text and a painting of two red and blue stylized birds facing each other with a heart between them

AIDS, South Puget Intertribal Planning Agency, 2005

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A poster with text and a painting of two red and blue stylized birds facing each other with a heart between them
This poster featured imagery from nationally known artist Randy Capoeman (Quinault) who died of cancer in 2008. His work here employed familiar images with a new message of tolerance and understanding.
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A poster with text and a black and white drawing of a human skull topped with antlers with a few feathers underneath

AIDS. Mumkichuth. Pia-him̃dag, Community Outreach Project on AIDS in Southern Arizona (COPASA), 1980s

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A poster with text and a black and white drawing of a human skull topped with antlers with a few feathers underneath
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A poster with text and a color drawing of a Native American man in red clothing laying on a wooden platform above a fire

AIDS…It Kills Indians Too!, Native American AIDS Advisory Board, 1980s

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A poster with text and a color drawing of a Native American man in red clothing laying on a wooden platform above a fire
In addition to a straightforward message to counteract a common myth among some Native communities that AIDS is a disease that affects only gay men, this poster drew a clear line between the universal impact of AIDS and death by depicting a cremation ceremony conducted by some Native nations. In other words, like death, everybody is susceptible to AIDS.
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A poster with text and a black and white photograph of a hand resting on the shoulder of a Native American man who is facing away from the viewer

Caring Can Prevent AIDS, BC Native AIDS Awareness Project, 1980s

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A poster with text and a black and white photograph of a hand resting on the shoulder of a Native American man who is facing away from the viewer
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A poster with text and a black and white drawing of a Native American man wearing a yellow shirt looking at the viewer. In the background is hunting scene.

Grandfather, You Are Wise in the Old Way, Give Us Wisdom About AIDS, South Dakota Division of Education, ca. 1989

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A poster with text and a black and white drawing of a Native American man wearing a yellow shirt looking at the viewer. In the background is hunting scene.
Native elders occupy positions of leadership and command respect in their communities, so outreach to and education through them about AIDS offered a key opportunity to reach younger Native people, who often look to them for advice and instruction in how to lead better and more productive lives.
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A poster with text and a black and white drawing of a Native American man wearing a yellow scarf holding a baby, in the background are a yellow sign and two yellow teepees.

Having Sex Is Now Risky, Haskell Indian Junior College Foundation, 1989

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A poster with text and a black and white drawing of a Native American man wearing a yellow scarf holding a baby, in the background are a yellow sign and two yellow teepees.
Public health campaigns aimed at heterosexual Native men often focused on the risks of unprotected sex, which included fatherhood as well as sexually transmitted disease and AIDS.
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A poster with text and a tan and black drawing of a man facing a pharmacist, underneath are three drawings of condoms

How Can Reading the Package Save Your Life?, Native American Women’s Health Education Resource Center, ca. 1980s

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A poster with text and a tan and black drawing of a man facing a pharmacist, underneath are three drawings of condoms
While many campaigns encouraged people to use condoms, this poster presented crucial, specific information on how to ensure condoms were used effectively.
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A poster with text and a black and blue drawing of a Native American young man and woman looking at each other across a bed, each has two people outlined behind them

How Well Do You Know Your Partner?, Native American Women’s Health Education Resource Center, ca. 1980s

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A poster with text and a black and blue drawing of a Native American young man and woman looking at each other across a bed, each has two people outlined behind them
Sexual networks became a common theme of AIDS outreach. This poster, from the Native American Women’s Health Education Resource Center, reminded women to take the responsibility to talk to partners about their sexual history, stressing women’s autonomy and the importance of protecting their own health.
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A poster with text and a black and white drawing of a Native American girl wearing a red shirt looking down and to the left

Keep AIDS Out of Our Tradition-Educate and Prevent Now!, South Dakota Division of Education, ca. 1990

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A poster with text and a black and white drawing of a Native American girl wearing a red shirt looking down and to the left
This poster featured an illustration by Donald F. Montileaux, also known as Yellowbird, a citizen of the Oglala Lakota Nation in South Dakota. He depicted a Native woman in traditional dress to emphasize the poster’s main message about AIDS prevention.
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A poster with text and a black and white drawing of two American Indian men flanking a gravestone with “AIDS” on it. Above them is a buffalo skull with two lines of people walking towards it

Look, Listen, Avoid!, Tulsa Area Chapter of the American Red Cross, ca. 1980s

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A poster with text and a black and white drawing of two American Indian men flanking a gravestone with “AIDS” on it. Above them is a buffalo skull with two lines of people walking towards it
Three Native men dressed in traditional to contemporary attire stand around a tombstone while a line of people walk toward a buffalo skull. The skull symbolizes the 19th century demise of the buffalo—an emblem of Great Plains Native culture—and also references the “Vanishing Indian” theory, a widely held notion among Americans that Native peoples, like the buffalo, also were dying out. Indeed, in the early 20th century, the Native population had dropped to approximately 250,000, a decrease of some 95 percent of pre-European contact levels. “A good day to live” is a play on the statement, “It’s a good day to die,” attributed to the 19th century Oglala Lakota leader Crazy Horse. Although public health campaigns for Native audiences did not often address gay men explicitly, it is likely that health workers recognized their increased risk of being infected with AIDS. In response, posters like this one focused on Native males and their traditional roles as warriors and providers as a way of reaching men in the community.
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A poster with text and a black and white photograph of hands holding

Love Can Prevent AIDS, BC Native AIDS Awareness Project, 1980s

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A poster with text and a black and white photograph of hands holding
This poster introduced a cultural imperative for Native American women by associating celibacy and abstinence with personal and tribal respect.
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A poster with text and a black outline of a kneeling male figure with a red bandana, holding the hand of a female figure wearing a blanket

Love Carefully: AIDS May Come from a Single Sexual Contact, Health Education Department of the White Mountain Apache Tribe, 1988

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A poster with text and a black outline of a kneeling male figure with a red bandana, holding the hand of a female figure wearing a blanket
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A poster with text and a drawing of Native American man and woman, woman looking at viewer and man behind looking to the left

Love Yourself, Get Tested, Indigenous Peoples Task Force, 1990s

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A poster with text and a drawing of Native American man and woman, woman looking at viewer and man behind looking to the left
The Minnesota-based Indigenous Peoples Task Force presented information to local tribes on HIV prevention. This poster used the art of nationally recognized artist Dana Tiger, a citizen of the Muscogee (Creek) Nation, to encourage people to get tested for HIV.
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A poster with text and a Black and white drawing of four American Indian men wearing robes looking at the viewer, with a yellow sun behind them

Our Ancestors Didn’t See AIDS in Our Future—Prevent Now!!, South Dakota Division of Education, ca. 1990

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A poster with text and a Black and white drawing of four American Indian men wearing robes looking at the viewer, with a yellow sun behind them
To appeal to a sense of tradition, this poster from the South Dakota Division of Education and the Centers for Disease Control described the changing landscape of the 1980s, calling for a new focus on protection from and prevention of AIDS.
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A poster with text and a drawing of a child holding an adult’s hand

Please Help Me with My Questions About AIDS, South Dakota Division of Education, ca. 1990

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A poster with text and a drawing of a child holding an adult’s hand
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A poster with text and a photograph of two Native American men standing by a river

Protect Our Culture, Inter-Tribal Council of Arizona, ca. 1990s

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A poster with text and a photograph of two Native American men standing by a river
Historically accepted among a number of Native nations for their embodiment of male and female spirits, gay or “two-spirit” Native men have long faced homophobia, which was introduced early on in Native communities by the dominant American culture. Few campaigns addressed this audience directly. Instead, most focused responsibility on all Native men.
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A poster with text and a color drawing of American Indians standing in a circle in the desert around an outline of the state of Arizona with the sun rising in the background.

Protect Your Culture—Learn About AIDS, Tohono O‘odham Health Department, 1988

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A poster with text and a color drawing of American Indians standing in a circle in the desert around an outline of the state of Arizona with the sun rising in the background.
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A poster with text and a color photograph of an Alaska Native man and woman embracing in a snow-covered field

Protect Your Health and the Health of Those You Love, Alaska Native Health Board, 1989

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A poster with text and a color photograph of an Alaska Native man and woman embracing in a snow-covered field
While most Native AIDS outreach and education services came from local or tribal organizations, the National Native American AIDS Hotline based in Oakland, California, provided support for all Native peoples. The telephone hotline provided access to vital information as well as assurances of confidentiality and anonymity.
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A poster with text and a blue and black drawing of a Native American man and woman looking at each other with a rising sun behind them

Protect Yourself Against AIDS, Native American Women’s Health Education Resource Center, 1980s

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A poster with text and a blue and black drawing of a Native American man and woman looking at each other with a rising sun behind them
Once accepted and even revered in a number of Native communities, “two-spirit” (a gender distinction that describes people with both male and female spirits) Native men and women have faced discrimination since homosexual intolerance was introduced by the dominant American culture. The gender-neutral couple illustrated on this poster is an attempt to reach this audience.
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A poster with text

“Shhh!”, Albuquerque Area Indian Health Board in cooperation with IHS Health Educator, 1980s

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A poster with text
Similar to the AIDS activist mantra “Silence = Death,” this poster attempted to counteract the shame and fear that hindered effective AIDS education among Native communities.
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A poster with text and a color drawing of a circle enclosing stylized birds heads around a red dotted center

The Drum Is Sounding a Warning, Alaska Native Health Board, 1992

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A poster with text and a color drawing of a circle enclosing stylized birds heads around a red dotted center
Referencing the drum, a traditional musical instrument symbolizing for many Native nations the collective heartbeat during ceremonies and dances, this poster from the Alaska Native Health Project urged tribal leaders to share information about AIDS with their communities.
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A poster with text and a drawing of a male and female Native American dressed in traditional Plains Indian dress dancing in front of an outline of a third person in a headdress

Traditional Values Will Stomp Out the A.I.D.S. Virus, Native American Women’s Health Education Resource Center, ca. 1980s

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A poster with text and a drawing of a male and female Native American dressed in traditional Plains Indian dress dancing in front of an outline of a third person in a headdress
This poster pairs some traditional Native values with contemporary messages, thus connecting time-honored principles to a dialogue focusing on safer practices as a way to prevent infection with AIDS.
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A poster with text and a black and white drawing of a Native American man wearing a red shirt looking down and to the right

Whispers and Shyness Will Not Control AIDS, Education Will!, South Dakota Division of Education, ca. 1990

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A poster with text and a black and white drawing of a Native American man wearing a red shirt looking down and to the right
Several cultural factors presented obstacles to AIDS outreach and education in Native communities, including the stigma surrounding the disease coupled with a reluctance to speak openly about sex and other risky behaviors.
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A poster with text and a color photograph of a hand holding a club with feathers attached.

You Can’t Get AIDS By…, American Indian Health Care Association, 1989

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A poster with text and a color photograph of a hand holding a club with feathers attached.
Posters that offered direct and specific information about risks and practices were in danger of offending more conservative communities with social mores against discussing sex. This poster from the American Indian Healthcare Organization used traditional imagery to communicate with a Native audience, but an atypically direct approach when describing myths and risks of AIDS.
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Yellow square road sign that reads “Caution” above text

Caution: Positive Thinking Alone Won’t Prevent AIDS, Northwest AIDS Foundation, 1980s

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Yellow square road sign that reads “Caution” above text
This poster from the Northwest AIDS Foundation reminded readers that all the positive thinking in Seattle (or the world) wouldn’t protect them from AIDS. However, taking precautions to have safer sex provided protection for everyone: “Because safe sex is the new rule of the road. Of that you can be positive.”
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Yellow square road sign that reads “Dead End” above text

Dead End: This is the Alternative to Safer Intercourse, Northwest AIDS Foundation, 1980s

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Yellow square road sign that reads “Dead End” above text
While some public health campaigns focused on asking people to make a choice between sex and having AIDS, this poster emphasized safer sex practices men could use, focusing on anal sex. The poster provided explicit recommendations and ended with a lighthearted tone designed to encourage change in Seattle’s gay community: “Be part of the new gay spirit. Follow the rules of the road.”
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Orange square road sign that reads “Detour” over text

Detour, AIDS Is Not the End of the Road, Northwest AIDS Foundation, 1980s

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Orange square road sign that reads “Detour” over text
The Northwest AIDS Foundation’s public health campaign worked to build a community around safer sex practices, noting sex with a condom as one of several new norms. This poster highlighted the Seattle gay community’s power to change minds and practices, putting responsibility with the community’s members with the call to action: “What you can do about AIDS.”
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Yellow square road sign that has black outline of car with curved lines behind it indicating curves in the roadway ahead above text

Don’t let the fear of AIDS drive you out of control, Northwest AIDS Foundation, 1980s

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Yellow square road sign that has black outline of car with curved lines behind it indicating curves in the roadway ahead above text
By the time this poster was distributed, tens of thousands more had been diagnosed with AIDS, causing panic. This poster directly addressed the fear by encouraging men to play safely in order to regain self-respect and self-control.
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Color photograph of a safety pin on a red sweater; the pin has a yellow roadside on it

Meet the Safety Pin, Northwest AIDS Foundation, 1980s

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Color photograph of a safety pin on a red sweater; the pin has a yellow roadside on it
An extension of the Northwest AIDS Foundation “Please Be Safe” campaign was the “Safety Pin,” a symbol that the wearer believed in and practiced safer sex. Efforts like this helped spread information about AIDS and created new community norms that stressed prevention and safety.
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Orange square road sign that reads “Men Working” over text

Men Working: Good News for the 3 out of 4 Gay Men who Follow the New Rules of the Road, Northwest AIDS Foundation, 1980s

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Orange square road sign that reads “Men Working” over text
Instead of asking the reader to choose between sex and safety, this poster made a strong case for practicing safer sex. It provided positive news about Seattle’s gay community and advice for staying healthy for those who didn’t carry the AIDS virus as well as those who did, stressing immediate personal action as a way to stay healthy: “So if you begin safer sex now, the odds are on your side.” The “Men Working” sign highlighted the effectiveness of these efforts: the actions of Seattle’s gay community were keeping people healthy; preventing the spread of AIDS.
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Yellow square road sign that has two vertical arrows pointing in opposite directions, above text

Sexual Safety Is a Two-Way Street, Northwest AIDS Foundation, 1980s

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Yellow square road sign that has two vertical arrows pointing in opposite directions, above text
This poster emphasized the dual responsibility of taking care of oneself and one’s sexual partner and used the protection of others as a powerful motivator to practice safer sex: “But don’t forget that unsafe sex puts two lives at stake. don’t let down your guard. don’t let down your partner.”
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Yellow square road sign that has black line with another line branching off from it indicating branch in the roadway, above text

Sexual Safety Means Making the Right Choice Every Time, Northwest AIDS Foundation, 1980s

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Yellow square road sign that has black line with another line branching off from it indicating branch in the roadway, above text
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Yellow square road sign that has black outline of a person walking

Sexual Safety: One Step at a Time, Northwest AIDS Foundation, 1980s

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Yellow square road sign that has black outline of a person walking
In the 1980s, the threat of AIDS could feel overwhelming: researchers, doctors, public health officials, friends, partners, and the media constantly presented new, and sometimes conflicting, information about the epidemic. The four steps outlined here—encouraging the reader to be a student, salesman, explorer, and fighter—stressed positive prevention strategies and emphasized developing new practices for pleasure.
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Yellow square road sign that reads “Slow” above text

: Slow: You Don’t Need to Slam into Reverse to Leave the Fast Lane, Northwest AIDS Foundation, 1980s

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Yellow square road sign that reads “Slow” above text
The Northwest AIDS Foundation “Please Be Safe” campaign promoted “a healthy, sexy gay life,” rather than advocating celibacy as the only option. The “Sexual Safety Card” provided a list of activities with a range of associated risks to help men make informed decisions about a variety of sexual activities, as well as a caution against using drugs and alcohol in excess, which could impair the good judgment described by this poster.
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Yellow square road sign that has black curved arrow indicating curves in the roadway ahead above text

The Gay Community Takes a Turn for the Better, Northwest AIDS Foundation, 1980s

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Yellow square road sign that has black curved arrow indicating curves in the roadway ahead above text
In other cities, such as New York and San Francisco, people in gay communities argued over the best ways to protect themselves from AIDS without limiting some newly earned gay rights to be more open and sexual freedoms such as participating in bathhouse culture. The Northwest AIDS Foundation’s approach celebrated a successful response to living with/preventing the spread of AIDS from a unified community that included open discussions of sexual practices and how to best engage safely and responsibly.
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Color photograph of a smiling white boy (Ricky Ray) sitting in the grass

A National Disaster, Unknown, 1990s

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Color photograph of a smiling white boy (Ricky Ray) sitting in the grass
Ricky Ray was the oldest of three boys, all of whom had hemophilia and contracted AIDS after receiving blood transfusions as babies. In 1987, when the Ray brothers, aged ten, nine, and eight, won the court-appointed right to attend school, arsonists destroyed their Florida home. In 1992, Ricky passed away from AIDS-related complications at age 15. The middle brother, Robert, also died of AIDS-related diseases when he was 22. In 2013, the youngest brother, Randy, is 33 and still alive.
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Color drawing of a multiracial group of school children, one of whom has a talk bubble above his head

AIDS News, People of Color Against AIDS, 1988

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Color drawing of a multiracial group of school children, one of whom has a talk bubble above his head
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American flag, with a frayed bottom and skull and cross bones instead of stars

AIDS Is Still a Crisis, undated

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American flag, with a frayed bottom and skull and cross bones instead of stars
The increasing apathy toward AIDS has had significant consequences for adolescents. Teens represent more than half of the estimated undiagnosed cases of HIV/AIDS in the United States; between 2006 and 2009, HIV diagnoses increased in people 15—24 years of age, despite a stable HIV diagnoses nationwide.
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Black and white photograph of a pair of hands holding up a sign on a city street

ACT UP Is Watching, AIDS Coalition to Unleash Power (ACT UP), 1988

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Black and white photograph of a pair of hands holding up a sign on a city street
This photo came from one of thousands of demonstrations nationwide, reminding officials that activists were watching. ACT UP (The AIDS Coalition to Unleash Power) was founded in March 1987. As of 2012, ACT UP chapters in nearly every major city continued to champion for rights for people with AIDS.
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Red tinted photograph of quilts on the Washington Mall

Ambition Will Cure AIDS before Compassion Does, Vertex Pharmaceuticals, 1988

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Red tinted photograph of quilts on the Washington Mall
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American war deaths with various tally icons including cannons, airplanes, ships, and helicopters, while AIDS is represented by people

American War Deaths, Dan Kaufman Graphics, Washington, DC, 1995

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American war deaths with various tally icons including cannons, airplanes, ships, and helicopters, while AIDS is represented by people
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Color drawing of a green humanoid monster frowning and looking around a corner at the viewer

HIV Coloring Book, What Is It?, Brooklyn AIDS Task Force, 1987

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Color drawing of a green humanoid monster frowning and looking around a corner at the viewer
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Three yellow stick figure people with red “x” on chest. Left one covering eyes, middle one ears, and right one mouth

Ignorance = Fear, Silence = Death, Keith Haring, 1989

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Three yellow stick figure people with red “x” on chest. Left one covering eyes, middle one ears, and right one mouth
In the 1980s and 1990s, artist Keith Haring’s widely recognized figures championed AIDS education and compassion, what was then a new cause. Today, Haring’s foundation continues to support AIDS organizations nationwide, including AIDS Project Los Angeles, the Elizabeth Glaser Pediatric AIDS Foundation, and Gay Men’s Health Crisis.
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African American woman with blond hair and heavy makeup looking at the viewer

Make Love Not AIDS, Hotstamp, 1998

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African American woman with blond hair and heavy makeup looking at the viewer
RuPaul Andre Charles, a gay artist and icon, has long engaged in AIDS advocacy work whether as a partner in the make-up company MAC’s AIDS awareness campaigns, a spokesperson for the AIDS Fund, or, as a model in this postcard riffing on the famous slogan “Make Love, Not War.”
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Black and white photograph of two white men embracing and kissing

Read My Lips, Gran Fury, AIDS Coalition to Unleash Power, 1988

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Black and white photograph of two white men embracing and kissing
Gran Fury, an artists’ collective within ACT UP (The AIDS Coalition to Unleash Power), created iconic materials, including postcards, to spread information and promote education about HIV and AIDS. The mantra featured here subverts President George H. W. Bush’s notable quip about no new taxes, delivered during the 1988 Republican National Convention, to call attention to his ambivalent support on AIDS outreach, education, research, and support.
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American flag, with a frayed bottom and skull and cross bones instead of stars

Call the HIV/AIDS Hotline, League Against AIDS, ca. 1990

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American flag, with a frayed bottom and skull and cross bones instead of stars
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Black and white drawing of a smiling man wearing a cape, he has a bleach bottle for a head

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Black and white drawing of a smiling man wearing a cape, he has a bleach bottle for a head
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The Guiding Hand, American Indian Health Care Association, 1989

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Color drawing of three Native American children, two boys and a girl. They are reacting with amazement towards a glowing hand emerging from a box
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Color drawing of a green humanoid hair covered monster

The Non-Color AIDS, Color Me Deadly Coloring Book, Coronado AIDS Council, 1987

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Color drawing of a green humanoid hair covered monster
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Three Latino men smiling at the viewer; two red-bordered photographs are below them, one showing a woman on a bed, the other a family

Tres Hombres, Fundación de Salud Novela, 1989

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Three Latino men smiling at the viewer; two red-bordered photographs are below them, one showing a woman on a bed, the other a family
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Black and white drawing of an African American woman with her hands in her pocket, in a jacket looking at the viewer

AIDS, It’s Your Choice, Think!, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American woman with her hands in her pocket, in a jacket looking at the viewer
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Drawing of an African American man with mustache wearing a jacket

Always Use Latex Condoms, South Carolina AIDS Education Network (SCAEN), 1988

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Drawing of an African American man with mustache wearing a jacket
In this poster, South Carolina AIDS Education Network (SCAEN) used a straightforward approach to stress the importance of condom use for African American men, who did not initially consider themselves at risk for AIDS. SCAEN leaders also distributed free, gift-wrapped condoms to the female patrons of the beauty shop that served as their headquarters.
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Black and white drawing of an African American man holding an African American woman who is looking downwards and frowning

Baby, “I Could Just Die for You,” South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American man holding an African American woman who is looking downwards and frowning
South Carolina AIDS Education Network (SCAEN) began in a small hair salon in South Carolina. The owner, DiAna DiAna, presented information about safer sex to women to help them navigate real-life situations such as pressure from a partner not to use a condom.
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Drawing of shirtless African American man in blue tattered pants and chains looking off to the left

Bound by the Chains of Ignorance, Learn about AIDS, South Carolina AIDS Education Network (SCAEN), 1988

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Drawing of shirtless African American man in blue tattered pants and chains looking off to the left
As South Carolina AIDS Education Network (SCAEN) evolved, their posters adapted a more polished aesthetic but continued with a hand-drawn style and a simple message that spoke to a southern African American community.
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Black and white drawing of an African American young man in sunglasses and graduation gown.

Complete My Education, Teach Me about AIDS: Help Me to Live!, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American young man in sunglasses and graduation gown.
This South Carolina AIDS Education Network (SCAEN) poster reminded parents and grandparents of their responsibilities to educate younger people about AIDS.
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Black and white drawing of an African American man in a suit offering a needle to an African American woman who has her arms

Don’t Shoot Drugs, Don’t Get AIDS, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American man in a suit offering a needle to an African American woman who has her arms
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Black and white drawing of an African American woman sitting down, looking at the viewer

Learn to Live, Learn about AIDS, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American woman sitting down, looking at the viewer
This poster aims to encourage African American women to learn more about AIDS. The challenge persists to today African American women frequently underestimated their own risk for the disease. This persists today: in 2013, two out of every three newly diagnosed American women are black.
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Black and white drawing of an African American girl in a dress, holding a shotgun in one hand and AIDS informational booklets in the other.

Mommie, What Do I Take to a War on AIDS?, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American girl in a dress, holding a shotgun in one hand and AIDS informational booklets in the other.
Hairstylist DiAna DiAna and Dr. Brandi Sumpter founded South Carolina AIDS Education Network (SCAEN) to reach southern black women with information about AIDS for themselves and their families. By placing a rifle in the hands of the child pictured here, the activists suggested the gravity of the AIDS epidemic.
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Black and white drawing of an African American boy crying and half faced away from the viewer

My Baby Brother Has AIDS and Now He’s Too Sick to Play with Me anymore, Daddy, Why?, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American boy crying and half faced away from the viewer
AIDS could impact every member of a family, including boys and girls, brothers and sisters. Children in black communities have consistently been overrepresented in AIDS cases nationwide. As of 2013, African American children were twice as likely to be diagnosed with HIV than their white peers.
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Black and white drawing of an African American woman with her hands in her pocket, in a jacket

No Matter How Good They Look, Do You Want to Die for Them?, South Carolina AIDS Education Network (SCAEN), 1988

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Black and white drawing of an African American woman with her hands in her pocket, in a jacket
South Carolina AIDS Education Network (SCAEN) posters focused on reaching the local community. While the art is simple, these campaigns used challenging, powerful messages and a realistic, colloquial delivery to effectively speak to the myriad issues surrounding AIDS.
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Black and white altered photograph of a shirtless man, to the right is text

Better safe than sorry, Milwaukee AIDS Project, 1980s

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Black and white altered photograph of a shirtless man, to the right is text
While some government-sponsored campaigns purposefully avoided any discussion of sex, this campaign presented a more realistic approach to managing risk. This poster, produced by the Milwaukee AIDS Project in the mid-1980s, offered a bank of information on safe sexual and nonsexual practices that people could utilize to limit their risk of infection or transmitting AIDS to others.
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Black and white drawing of one hand holding a red condom as a hand on the right reaches for it with index finger outstretched.

Cover me and cover yourself, Milwaukee AIDS Project, 1985

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Black and white drawing of one hand holding a red condom as a hand on the right reaches for it with index finger outstretched.
After the U.S. Conference of Mayors made funding available to individual city governments, participating public health organizations created community-specific campaigns. These efforts stressed practical approaches to limiting risk of being infected/transmitting AIDS, while acknowledging that celibacy would not work for everyone. This “divinely” inspired poster, a play on Michelangelo’s fresco of the Creation of Adam in the Sistine Chapel, presented condom usage as a strategy to protect both partners.
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Black and white drawing of a man sleeping on a bed, with another man in a cape and crown gesturing towards him.

Safer Sex Comix #8, Gay Men’s Health Crisis, 1987

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Black and white drawing of a man sleeping on a bed, with another man in a cape and crown gesturing towards him.
By the late 1980s, AIDS service organizations such as New York’s Gay Men’s Health Crisis (GMHC) began to develop explicit materials to engage men who had sex with men in a process of changing the way they had sex with one another. This type of AIDS prevention aimed to capture the imaginations of gay men to sustain their condom use over a lifetime, a strategy supported by significant public health research suggesting that behavior change required positive reinforcement. In a series of almost a dozen (pocket size) three by five inch comic books, GMHC presented sexually erotic, detailed suggestions for men, including how and when to use condoms, whether with long-term partners or short-term dalliances. GMHC distributed the comics to clients, as well as in public spaces, such as bars and community venues. The erotic content of the comic books caused a furor among some elected members of Congress. In October 1987, Senator Jesse Helms (R-NC) held up Safer Sex comic books while addressing his colleagues on the Senate floor to protest the use of federal funds to promote homosexuality. While federal funding was not used to produce or distribute the comics, the senator’s sentiment led directly to the passing of legislation that insisted, “Education, information, and prevention activities and materials paid for with funds appropriated under this Act shall emphasize—(1) abstinence from homosexual sexual activities.”
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Series of six purple drawings of men performing sexual foreplay acts on each other.

Taste, Watch, Touch, Excite, Explore, Imagine, Colorado AIDS Project, 1980s

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Series of six purple drawings of men performing sexual foreplay acts on each other.
While some government-sponsored campaigns purposefully avoided any discussion of sex, this campaign presented a more realistic approach to managing risk. This poster, produced by the Milwaukee AIDS Project in the mid-1980s, offered a bank of information on safe sexual and nonsexual practices that people could utilize to limit their risk of infection or transmitting AIDS to others.
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Color drawing of two men lounging together, one is purple the other is teal

Do the Safe Thing, Whitman-Walker Clinic, 1988

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Color drawing of two men lounging together, one is purple the other is teal
Whitman-Walker Clinic in 1986, commemorating the legacy of a passionate female AIDS activist who used her diagnosis as a call to arms for AIDS education and outreach everywhere.
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African American man sitting down and embracing a Latino man; both are wearing knee and elbow pads and one is wearing a helmet and rollerblades

Do the Safe Thing, Use Condoms, Whitman-Walker Clinic, ca. 1990

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African American man sitting down and embracing a Latino man; both are wearing knee and elbow pads and one is wearing a helmet and rollerblades
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African American woman between two African American men, all smiling and looking at the viewer. Each is wearing a shirt with a different word on it

In the Fight against AIDS, You’ve Got the Power, Whitman-Walker Clinic, undated

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African American woman between two African American men, all smiling and looking at the viewer. Each is wearing a shirt with a different word on it
Targeting African American teens directly, this poster provided accurate, confidential information to help them stay safe. In 2012, African Americans represented 70 percent of the AIDS cases among teenagers, despite comprising only 13% percent of the total teenage population.
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A multiracial group of seven men stand in a group, each one holding up a wrapped condom

Los hombres de los 90s, la primera vez y todas las veces, Whitman-Walker Clinic, 1990s

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A multiracial group of seven men stand in a group, each one holding up a wrapped condom
After a decade of life with AIDS, activists and public health officials turned to new opportunities to educate people in the 1990s. Some of the stigma and shame had given way to honesty and playfulness, shown in campaigns like “Men of the 90’s” from the Whitman-Walker Clinic. The men pictured here are smiling, happy, and safe. The Spanish-language version of Whitman-Walker’s “Men of the 90’s” campaign targeted younger, gay Latinos with a call to have safer sex by suggesting that using a condom would add excitement.
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Black and white photograph of a multiracial group of men variously dressed waiting in line for a condom dispenser

Men of the 90s Do the Safe Thing, Whitman-Walker Clinic, 1990s

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Black and white photograph of a multiracial group of men variously dressed waiting in line for a condom dispenser
With a variety of men pictured, this poster from the Whitman-Walker clinic presented safe sex as the norm for all gay men in the 1990s.
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Color photograph of two young men; one has back turned and is removing his shirt, while the other man holds him and has a condom in one hand

Men of the 90s, Positive, Negative, Both Do the Safe Thing, Whitman-Walker Clinic, 1990s

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Color photograph of two young men; one has back turned and is removing his shirt, while the other man holds him and has a condom in one hand
This poster presented that idea as a cultural norm: sex could be safe and pleasurable for all, including people with AIDS and their partners.
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Black and white photograph of a Hispanic man holding a condom and embracing an African American who is slightly lower and looking upwards

Men of the 90s, Top, Bottom, Both Do the Safe Thing, Whitman-Walker Clinic, 1990s

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Black and white photograph of a Hispanic man holding a condom and embracing an African American who is slightly lower and looking upwards
This biracial couple and straightforward acknowledgement of gay sex practices shows an effective trend in AIDS education campaigns. By the 1990s, AIDS organizations could speak honestly and directly to gay audiences, often without fear of censorship.
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Drawing of a naked person’s butt

No Ifs, Ands, or Butts, Whitman-Walker Clinic, ca. 1990

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Drawing of a naked person’s butt
Fear and stigma of people with AIDS came directly from confusing sexual practice with the people who engaged in it. This Whitman-Walker poster made the issue much clearer, noting that unprotected anal sex was dangerous, not the man, or woman, who was having it.
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Black and white photograph of a candle burning on a table next to a drawing of planet Earth

The Names Project AIDS Candlelight Memorial March, Whitman-Walker Clinic, 1992

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Black and white photograph of a candle burning on a table next to a drawing of planet Earth
In 1986, Cleve Jones of San Francisco stitched a quilt panel to memorialize a friend he had lost to AIDS. This began one of the world’s largest memorials for those who died from AIDS. By 1992, the AIDS Memorial Quilt had a panel from each state in the country. By 2012, the quilt had grown to more than 48,000 panels.
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Color drawing of the U.S. capitol dome with the American flag behind it, surrounded by a black background

Washington Remembers, October 8th and 9th, 1988, Whitman-Walker Clinic, 1988

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Color drawing of the U.S. capitol dome with the American flag behind it, surrounded by a black background
The AIDS Memorial Quilt was first displayed in the nation’s capital in 1987. Containing nearly 2,000 panels, it drew more than half a million visitors, which prompted a nationwide tour. When the quilt returned to Washington, DC, the following year, the number of panels had quadrupled.
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Black and white photograph of a multiracial group of people smiling up at the viewer; another photograph of an African American doctor in a lab coat is below.

Whitman-Walker Clinic, Whitman-Walker Clinic, undated

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Black and white photograph of a multiracial group of people smiling up at the viewer; another photograph of an African American doctor in a lab coat is below.
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Black and white image of multiracial group of people holding various anti-AIDS signs

AIDS Causes Blindness, AIDS Action Committee, 1980s

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Black and white image of multiracial group of people holding various anti-AIDS signs
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A group of people protesting hold picket signs

AIDS Causes Blindness, AIDS Action Committee, 1980s

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A group of people protesting hold picket signs
Several advocacy campaigns focused on raising awareness about AIDS for employers and employees. Discrimination against people with AIDS (described here as blindness) was motivated by fear and ignorance. Posters like this addressed both with facts.
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Color view of multiracial group of people looking at the viewer

AIDS Does Not Discriminate, New York State Department of Health, 1980s

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Color view of multiracial group of people looking at the viewer
Displaying a purposefully diverse group of people, this poster reminded readers that neither gender nor race would protect someone from contracting HIV. Instead, the New York State Health Department clearly named the behaviors that increased a person’s risk
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White text that mirrors the look of chalk on a blackboard on a black background “Famous Last Words” is in red.

AIDS Is a White Man’s Disease, Famous Last Words, People of Color Against AIDS, 1980s

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White text that mirrors the look of chalk on a blackboard on a black background “Famous Last Words” is in red.
Directed to the black community, this poster used straightforward language to debunk the all-too-widespread idea that AIDS was a gay, white disease.
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Black background with red and white text, with drawings of a group of African Americans at the bottom right

AIDS Is Color Blind, Massachusetts Department of Public Health, 1980s

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Black background with red and white text, with drawings of a group of African Americans at the bottom right
Several organizations, including the Minority AIDS Project and the National Minority AIDS Council, attempted to reach minority audiences to correct a powerful and common misconception that AIDS only affected gay white men.
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Black and white photograph of man walking at night, shadow behind him on building is exaggeratedly large and portrays a man about to grab someone

After All These Years, You Could Have Been Harboring a Killer, AIDS Resource Center, 1980s

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Black and white photograph of man walking at night, shadow behind him on building is exaggeratedly large and portrays a man about to grab someone
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Black and white photograph of a White family, including a mother and father and son and daughter with dog, above text

After Devastating the Entire Gay Community of this Country, AIDS Is Looking for Something a Little Bit Different, AID Atlanta, 1980s

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Black and white photograph of a White family, including a mother and father and son and daughter with dog, above text
AID Atlanta’s approach targeted a new audience who had not thought themselves at risk: heterosexual families. While the poster did little to suggest what behaviors made this family susceptible, it did acknowledge the impact of AIDS on gay men.
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Color drawing of a gray water fountain

Another Myth Down the Drain, Clement Communications, 1987

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Color drawing of a gray water fountain
Drinking fountains, like the one shown here, made people especially nervous, even as research proved that AIDS could not be transmitted by saliva or even mouth-to-mouth contact.
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Color photograph of an African American woman (Patti LaBelle) looking at the viewer, her signature is evident near the top text

Don’t Listen to Rumors about AIDS, Get the Facts! Patti LaBelle, Public Health Service and the American Red Cross, 1988

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Color photograph of an African American woman (Patti LaBelle) looking at the viewer, her signature is evident near the top text
The American Red Cross campaign pictured here relied on singer Patti Labelle’s long-standing popularity among and connections to black gay communities. Labelle became a spokeswoman for the National Minority AIDS Council in 1987 and promoted the “Live Long, Sugar” campaign to encourage people of color to seek treatment for AIDS.
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Three color photographs of hands reaching for a towel, a wrench, and a hand holding a mug

Don’t Worry about What You’ll Pick Up at Work, Health Education Authority, 1980s

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Three color photographs of hands reaching for a towel, a wrench, and a hand holding a mug
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Black and white photograph of a teenage boy (Ryan White), looking at the viewer with half his face covered in shadow, White’s signature is included

For Teenagers Only: From Ryan White, Indiana State Board of Health, 1980s

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Black and white photograph of a teenage boy (Ryan White), looking at the viewer with half his face covered in shadow, White’s signature is included
By 1985, researchers had determined that AIDS could only be spread through the exchange of bodily fluids such as blood and semen. Yet Ryan White, an HIV-positive thirteen-year-old, was banned from attending middle school because of concerns that he could infect fellow students and school employees. White, who had contracted the disease from a blood transfusion, became a national symbol for both people with AIDS and the power of ignorance and hatred. White responded to the vitriol with a consistent claim to fair and just treatment for all people with AIDS. His legacy, in the recently extended Ryan White Care Act, has improved care and support for people with AIDS nationwide.
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A poster with text and a portrait of an African American man with two African American girls

He Has AIDS, We Love Him!, Minority AIDS Project, 1989

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A poster with text and a portrait of an African American man with two African American girls
Not unlike the disease itself, people with AIDS faced powerful stigmas that transcended racial boundaries. This poster reminded African American communities that it was and is okay to interact with, hug, and love people with AIDS. Through the voices of children and loving families, the poster helps to erode the myths and fears associated with people with AIDS.
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Color drawing of a frowning child with arms outstretched standing between flowers

I Have AIDS, Please Hug Me, Center for Attitudinal Healing, 1987

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Color drawing of a frowning child with arms outstretched standing between flowers
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Color drawing of a white man sitting on a folding chair facing away from the viewer with his head in his hands

It Won’t Kill You to Spend Time with a Friend Who Has AIDS, Clement Communications, 1988

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Color drawing of a white man sitting on a folding chair facing away from the viewer with his head in his hands
People with AIDS faced isolation and stigma, even from friends and family members who were misinformed about the risks of being compassionate, kind, and humane. Many AIDS outreach organizations provided basic support to help offset loneliness.
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Six black and white drawings of everyday situations above text

None of These Will Give You AIDS, University of California, 1985

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Six black and white drawings of everyday situations above text
This advertisement attempted to debunk six common myths of how AIDS spread. Although research early in the 1980s proved that all of these activities were safe, misinformation persisted that workplaces, restaurants, bathrooms, even casual contact could be dangerous.
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Color photograph of a glass with brown liquid, with black text above and below, with the exception of “you can’t” which is red

Some People Think You Can Catch AIDS from a Glass, You Can’t, California Medical Association, 1980s

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Color photograph of a glass with brown liquid, with black text above and below, with the exception of “you can’t” which is red
Evidence that AIDS was spread by the exchange of “bodily fluids” provided much opportunity for misunderstanding. Even after researchers proved that saliva could not transmit AIDS, the fear of used drinking glasses, shared eating utensils, and kissing persisted well into the 1980s.
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Color drawings of four storyboard squares with stick figures drawn inside.

The Story of Jack and Jill, Tulsa Area Chapter of the American Red Cross, 1980s

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Color drawings of four storyboard squares with stick figures drawn inside.
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Blue tinted photograph of a white baby in a diaper smiling

The Homosexual Has AIDS, AIDS Prevention Project (TX), 1987

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Blue tinted photograph of a white baby in a diaper smiling
By presenting AIDS as “a people(s) disease; this poster from the Texas Department of State Health Services attempted to convince readers that people with AIDS could as easily be children as gay men. The poster also made a case for (ABC” AIDS prevention: practice abstinence, be faithful, or use a condom. This strategy became central to President George W. Bush’s AIDS initiative in the first years of the twenty-first century.
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Black and white photograph of an African American man and woman looking to the right

We Didn’t Think We Could Get AIDS, Health Education Resource Organization, 1988

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Black and white photograph of an African American man and woman looking to the right
This sobering statistic from 1987 offered one local example of the disproportionate affect AIDS had on black communities. In 2012, AIDS was the primary killer of African Americans aged 19 to 44.
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Color drawing of a mosquito on a yellow background meant to mimic skin color.

You Won’t Get AIDS from a Bug Bite, Centers for Disease Control, 1980s

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Color drawing of a mosquito on a yellow background meant to mimic skin color.
With misinformation too readily available, this campaign from America Responds to AIDS attempted to reach a wide audience with neutral images and straightforward information on ways people could not “catch” AIDS.
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Color drawing of a multicolored beach ball floating on water

You Won’t Get AIDS from a Public Pool, Centers for Disease Control, 1980s

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Color drawing of a multicolored beach ball floating on water
This poster reminded readers that AIDS could not be transmitted through water and that public pools were safe for children and adults, alike.
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Color drawing of a white boy chasing a white girl

You Won’t Get AIDS from Hide ‘n’ Seek, Centers for Disease Control, 1980s

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Color drawing of a white boy chasing a white girl
Throughout the 1980s, parents and teachers expressed concerns the casual contact of school and play put children at risk. This poster sought to reveal such concerns as inaccurate and unfounded.
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Color drawing of a hand holding a salad on a serving plate

You Won’t Get AIDS from a Restaurant, Centers for Disease Control, 1980s

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Color drawing of a hand holding a salad on a serving plate
Despite a powerful and prevalent myth, early research proved that the HIV virus could not live outside the human body; therefore, sharing cups, plates, and utensils posed no risk.
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